新体育神话中的皮肤转变

F. Laval, B. Andrieu, O. Sirost
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引用次数: 0

摘要

六十年代,罗兰·巴特指出,体育运动构成了小小的神话。后现代的体育形象与球迷的皮肤碰撞。在一个由跨媒体叙事重新定义的体育世界里,民族志纪录片被宣布为报道运动员生活的一种新风格。自1998年由Stephane Meunier和TV Canal +在法国足球运动员内部实现的电影“Les Yeux dans Les bleus”以来,这种亲密电影增加了很多。技术和图像的使用刷新了体育神话。我们可以在虚构的电影闪回中看到它(贝利、尼基·劳达、霍华德·温斯顿),在与人性化的运动员(贝克汉姆、里纳、博尔特)的宣传中看到它,也可以在社交媒体和电视节目中看到新一代高水平运动员(艾弗森、希尔兹)。这种在运动治疗中使用的颤抖方式是皮肤转向的标志,体现了神话。
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Le skin turn dans les nouvelles mythologies sportives
In sixties Roland Barthes shows that sport’s event composed little mythologies. With the postmodernity images of sports collide with fan’s skin. In a sport’s universe redifined by transmedia storytelling, the ethnographic documentuary is proclamed as a new style of reporting athlete’s life. Since 1998 and the film “Les Yeux dans les bleus” inside France football players realized by Stephane Meunier and the TV Canal +, this kind of intimacy film has increase a lot. Technology and uses of image renewed sport mythology. We can see it on movie in fictionnnal flashback  (Pele, Niky Lauda, Howard Winstone), in publicity with peopleized sportsmen (Beckham, Riner, Bolt) or with the new generation of high level athletes with social media and show TV (Iverson, Shields). This way of shivering uses in sports treatment is a sign of a skin turn wich embodied myths.
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