印象派的社会冲突

I. I. Zupnick
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引用次数: 0

摘要

印象派画家争取公众接受的长期斗争是19世纪最引人注目的艺术史现象之一。它集中体现了艺术家对认可的不懈追求以及公众对创新的抵制,这两者在工业革命期间都有所增加。从今天的角度来看,对印象派绘画的排斥竟然达到如此强烈的程度似乎很奇怪,因为这一运动并没有对社会产生明显的颠覆性攻击,因为它通常处理的是无害的主题,因为它创作的绘画作品是基于正常的日常经验。没有晦涩难懂或迂腐的东西。事实上,他们似乎故意避免深奥的个人象征,通常转向最普通的主题;风景画、静物画和日常场景。对公众来说,印象派绘画最令人震惊的是它以一种武断的新方式描绘熟悉的事物;武断是因为它不在…
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The Social Conflict of the Impressionists
The long struggle of the impressionist painters for public acceptance is one of the most striking art-historical phenomena of the nineteenth century. It epitomizes the ceaseless drive of artists for recognition as well as the public resistance to innovation, both of which increased during the Industrial Revolution.From today's perspective it seems strange that the rejection of impressionist painting should have reached such intensity, since the movement produced no obviously subversive attack on society, since it generally dealt with inoffensive subject matter, and since it created pictorial compositions based upon normal daily experience. There was nothing obscure or pedantic. In fact, they seemed purposely to avoid abstruse personal symbolism, turning usually to the most commonplace subjects; landscapes, still-lifes, and everyday genre scenes. To the public the most shocking thing about impressionist painting was the way it portrayed the familiar in an arbitrary new way; arbitrary because it was not in ...
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Art and Civilization Alexander Eliot, Sight and Insight The Decorative Arts: An Aesthetic Stepchild? Addenda on Annual Meeting Richard Neutra: 1950–60. Buildings and Projects.: W. Boesiger, editor
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