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引用次数: 4

摘要

本文展示了一种快速而直接的策略,用于将过色图片更改为感知上精确的灰度变体。当彩色图像转换为灰度表示时,由于维数降低或源和目标颜色空间之间的需求变化,执行彩色图像到灰度计划的策略(以保留关键图像高光之后的尽可能多的源彩色图像数据)通常会消失。在这项研究中,我们展示了另一种复杂性,提高对比度的灰度变换计算,包括从程序步骤。首先,将RGB输入转换为感知均匀的CIE L*a*b*色彩空间,并利用Helmholtz-Kohlrausch预测器根据色彩分量C*和色相角H对L*进行校正,得到增强的L**。其次,利用关键段调查连接到色度通道的降维。第三,将得到的灰度图像基于数学方法升级到物理亮度通道,使α=0.01增强灰度图像的对比度。最后,将二维平稳小波变换(SWT)在一个层次上进行连接,将过去步幅生成的图像与亮度分量L**进行融合,得到最后的灰度图像。在实验中,通过计算得到的灰度图像证实,该计算保护了阴影图像中对比度、锐度、阴影和图像结构等重要组成部分,并与最近的算法进行了对比。
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Color to grayscale image conversion based dimensionality reduction with Stationary Wavelet transform
This paper exhibits a brisk and straightforward strategy for changing over coloring pictures to perceptually exact grayscale variants. Strategies performing the transform of color image to grayscale plans to hold however much data about the source color picture as could be expected subsequent to critical picture highlights regularly vanish when color images are convert over to grayscale representation because of dimensionality reduction or varying requirements between the source and target color spaces. In this research we exhibited another complexity improving contrast to grayscale transformation calculation which comprise from procedure steps. Firstly, transform over RGB inputs to a perceptually uniform CIE L*a*b* color space and utilize Helmholtz-Kohlrausch Predictors to corrects L* based on the color chromatic component C* and hue angle H to get enhanced L**. Secondly, Dimensionality Reduction connected to Chrominance channels utilizing key segment investigation. Thirdly, upgrade the resulted grayscale image to the physical luminance channel based on mathematical with α=0.01 to enhance the contrast of resulted grayscale image. At long last, two dimensional Stationary Wavelet Transform (SWT) is connected in one level for melded the came about picture from past stride with Luminosity component L** to get the last grayscale picture. The grayscale image created relied on upon the calculation in the experiment confirm that the calculation has protected the notable components of the shading picture, for example, contrasts, sharpness, shadow, and image structure as contrasted and as compared with recently algorithms.
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