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引用次数: 0

摘要

第二章选取了两部流行的当代接受文献——一部电影和一部电视剧——它们强化了从瓦格纳开始接受作品时所发现的主题:缺乏、失落和悲剧。2012年上映的电影《晚期四重奏》(A late Quartet)很好地体现了人们对贝多芬晚期生平和作品的典型混淆。电影中的片段有助于人们理解这部作品,它描绘了由于缺乏健康、权力、表达激情和爱的能力以及时间而带来的挣扎。后来的接受,尤其是后来流行的接受,与Op. 131的早期接受形成鲜明对比,后者强调幻想、多产和丰富。
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Popular and Early Reception
Chapter 2 takes in two popular contemporary reception documents—a film and a TV drama—which reinforce themes found in the reception of the work from Wagner onwards: lack, loss, and tragedy. The typical conflation of biography and work in the reception of late Beethoven is nicely exemplified by the 2012 film A Late Quartet. Sequences from the film help one to understand this work as a portrayal of struggle brought on by lack—of health, of power, of ability to express passion and love, and of time. The later reception, especially the popular later reception, contrasts sharply with the early reception of Op. 131, which underscores fantasy, fecundity, and plenitude.
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Popular and Early Reception Re-hearing Op. 131 “Like an overly large fantasy” “A new kind of part writing” Epilogue
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