身体说话:木偶戏/物体实践的具体化、疾病和诗意物质性

M. Tsaplina
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引用次数: 1

摘要

从理论上转向社会科学和人文学科的对象本体论,使与疾病、残疾和健康有关的木偶戏工作成为艺术实践研究、残疾研究和医学/健康人文学科的前沿。通过木偶戏动画的工具和实践来阐明慢性疾病和残疾可以帮助形成复杂的化身,在这个化身中,人们被授权将他们的化身视为知识的场所。木偶戏教学法可以训练医学生和临床医生的身体,以发展具身调谐的能力,并可以通过重新统一思想、身体和想象力,使身体和医学教育的知识非殖民化。通过训练以物理和诗意的方式感知材料,木偶戏允许沉默的身体和历史说话。
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Bodies speaking: Embodiment, illness and the poetic materiality of puppetry/object practice
The theoretical turn to object ontologies in the social sciences and the humanities brings puppetry work related to illness, disability and health to the forefront of artistic practice-as-research, disability studies and the medical/health humanities. Articulating chronic illness and disability through the tools and practice of puppetry animation can help form complex embodiment, where the person is empowered to value their embodiment as a site of knowledge. Puppetry pedagogy can train the bodies of medical students and clinicians to develop the capacity for embodied attunement and may decolonize both the knowledge of the body and medical education by reunifying mind, body and imagination. By training to perceive materials both physically and poetically, puppetry allows silenced bodies and histories to speak.
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