{"title":"“熟悉滋生轻蔑”","authors":"M. Turvey","doi":"10.4324/9780429422508-14","DOIUrl":null,"url":null,"abstract":"Malcolm Turvey holds the Sol Gittleman Professorship in Film and Media Studies and is a professor in the department of Art and Art History at Tufts University. He received his Ph.D. in cinema studies from New York University in 2002 and has been an editor of the journal October since 2001. He works primarily in the areas of film theory, the philosophy of film, avant-garde film, and film and modernism; he is the author of two books: Doubting Vision: Film and the Revelationist Tradition (Oxford University Press, 2008) and The Filming of Modern Life: European Avant-Garde Film of the 1920s (MIT Press, 2011). He is also co-editor of Wittgenstein, Theory, and the Arts (Routledge, 2001) and Camera Obscura/Camera Lucida: Essays in Honor of Annette Michelson (University of Amsterdam Press, 2003).","PeriodicalId":236612,"journal":{"name":"Screening Characters","volume":"85 1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“familiarity breeds contempt”\",\"authors\":\"M. Turvey\",\"doi\":\"10.4324/9780429422508-14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Malcolm Turvey holds the Sol Gittleman Professorship in Film and Media Studies and is a professor in the department of Art and Art History at Tufts University. He received his Ph.D. in cinema studies from New York University in 2002 and has been an editor of the journal October since 2001. He works primarily in the areas of film theory, the philosophy of film, avant-garde film, and film and modernism; he is the author of two books: Doubting Vision: Film and the Revelationist Tradition (Oxford University Press, 2008) and The Filming of Modern Life: European Avant-Garde Film of the 1920s (MIT Press, 2011). He is also co-editor of Wittgenstein, Theory, and the Arts (Routledge, 2001) and Camera Obscura/Camera Lucida: Essays in Honor of Annette Michelson (University of Amsterdam Press, 2003).\",\"PeriodicalId\":236612,\"journal\":{\"name\":\"Screening Characters\",\"volume\":\"85 1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Screening Characters\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9780429422508-14\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Screening Characters","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780429422508-14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Malcolm Turvey holds the Sol Gittleman Professorship in Film and Media Studies and is a professor in the department of Art and Art History at Tufts University. He received his Ph.D. in cinema studies from New York University in 2002 and has been an editor of the journal October since 2001. He works primarily in the areas of film theory, the philosophy of film, avant-garde film, and film and modernism; he is the author of two books: Doubting Vision: Film and the Revelationist Tradition (Oxford University Press, 2008) and The Filming of Modern Life: European Avant-Garde Film of the 1920s (MIT Press, 2011). He is also co-editor of Wittgenstein, Theory, and the Arts (Routledge, 2001) and Camera Obscura/Camera Lucida: Essays in Honor of Annette Michelson (University of Amsterdam Press, 2003).