罗氏与歌德:性别、体裁与影响

Maryann Piel
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摘要

摘要:索菲·冯·拉罗奇是18世纪德国文学经典中女性作家被性别排斥的典型代表。她的第一部小说《Geschichte des Fräuleins von Sternheim》(1771年)尚未被充分认可,因为它在德国书信流派中具有普遍的创新,并对约翰·沃尔夫冈·冯·歌德的《少年Werther》(1774年)产生了直接影响。仔细阅读这两部小说,我们会发现一些相似之处,这些相似之处使德语书信体小说区别于英语和法语的例子。考虑到拉罗希和歌德在《维特》出版前几年的相互指导和合作,拉罗希在这一流派发展中的作用变得显而易见。以这种方式重新审视拉罗希的《施特恩海姆》的价值在于,能够更好地识别出使像拉罗希这样的作家在德国文学传统中被性别排斥的机制,从而开辟一条通往更具包容性的文学经典的道路。
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La Roche and Goethe: Gender, Genre, and Influence
Abstract:Sophie von La Roche exemplifies the gendered exclusion of eighteenth-century female authors from the German literary canon. Her first novel, Geschichte des Fräuleins von Sternheim (1771), has yet to be fully recognized for its generic innovations in the German epistolary genre and for its direct influence on Johann Wolfgang von Goethe's Die Leiden des jungen Werther (1774). A close side-by-side reading of both novels reveals several similarities that set the German epistolary novel apart from the English and French examples. By taking into account the mutual mentorship and collaboration between La Roche and Goethe in the years leading up to the publication of Werther, La Roche's role in the development of the genre becomes evident. The value of recentering La Roche's Sternheim in this manner lies in the ability to better identify the mechanisms that perpetuate the gendered exclusion of authors like La Roche from the German literary tradition, making visible a path to a more inclusive literary canon.
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