互动探戈:设计内部体验

Courtney Brown, G. Paine
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引用次数: 11

摘要

阿根廷探戈的连接概念是指自我、舞伴和音乐之间完全同步性的体验。本文提出了交互式探戈Milonga,这是一个交互式系统,赋予探戈舞者对音乐的代理,以增加舞伴和音乐之间的这种关系感。就像一个即兴演奏的音乐家在合奏中,每个舞者都从她的动作和她的舞伴的动作中获得音乐反馈。因此,每个舞者都可以对音乐做出反应,推动音乐反馈,从而提高声音和舞伴动作的意识和能动性。通过该系统的展示,本文阐述了开发与独特的音乐、动作和社会传统相结合的互动系统的方法,以及在这些社会背景下形成声音-动作关系的方法,这些关系导致了特定的内部体验。
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Interactive Tango Milonga: designing internal experience
The Argentine tango concept of connection refers to the experience of complete synchronicity between self, partner, and music. This paper presents Interactive Tango Milonga, an interactive system giving tango dancers agency over music in order to increase this sense of relation between both partners and music. Like an improvising musician in an ensemble, each dancer receives musical feedback from both her movements and her partner's. Thus, each dancer can respond to the music, driving musical feedback, thereby heightening awareness and agency in both the sound and her partner's movements. Via presentation of this system, this paper illustrates methods for developing interactive systems engaging with distinct musical, movement, and social traditions as well for composing sound-movement relationships leading to specific internal experiences within these social contexts.
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Interactive Tango Milonga: designing internal experience Conceptualising interaction in live performance: reflections on 'encoded' Sound space and spatial sampler Sketches vs skeletons: video annotation can capture what motion capture cannot Towards realtime measurement of connectedness in human movement
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