成为“阿图罗·里普斯坦”?论《卢格之罪》跨国电影改编中的合作与“作者功能”límites (1978)

Catherine A. Grant
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Becoming “Arturo Ripstein”? On Collaboration and the “Author Function” in the Transnational Film Adaptation of El lugar sin límites (1978)
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Becoming “Arturo Ripstein”? On Collaboration and the “Author Function” in the Transnational Film Adaptation of El lugar sin límites (1978) Fifty Years of Film 3: Melodrama in Ripstein’s Films and Garciadiego’s Screenplays Fifty Years of Film 2: Accomplices: Arturo Ripstein and Paz Alicia Garciadiego Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1993) El castillo de la pureza (1972): A Closed Market Represented by a Closed Home
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