在《巴黎天文台摄影》和《法国流动领土》中描绘一个地方的国家

Ari J. Blatt
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引用次数: 1

摘要

法国摄影的历史一直以摄影“使命”的优势为标志,即一群艺术家带着相机穿越领土,记录国家共享的公共空间。从1851年的Mission hsamligraphique到1983-89年的Mission photographic que de la DATAR,这些项目向我们展示了景观在国家想象中所占据的位置。本章调查了最近和最引人注目的两个摄影任务,旨在使国家的轮廓清晰易懂。成立于1991年的Observatoire photohique du paysage,通过严格的重新摄影程序,使公众对法国景观的演变更加敏感,而自2011年以来,一群摄影师以法国(s)领土流动(France(s) territoliquide)的名义联合起来,对不断变化的领土产生了更加个人和主观的看法。尽管他们对空间的设想有很大的不同,但本章表明,这两个群体都优先考虑较少被看到的东西,间隙和方言,以提供一个微妙的法国视野,挑战最主要的概念和陈词滥调-在修辞和图形意义上的词-作为一个整体的国家。
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Picturing a Nation of Local Places in the Observatoire photographique du paysage and France(s) territoire liquide
The history of French photography has been marked by the preponderance of photographic ‘missions’, whereby a collective of artists charged with documenting the nation’s shared common spaces traverse the territory with cameras in tow. From the Mission héliographique (1851) to the Mission photographique de la DATAR (1983-89), these projects have much to tell us about the place that landscape occupies in the national imaginary. This chapter surveys two of the most recent and most compelling photographic missions that set out to render the contours of the nation intelligible. While the Observatoire photographique du paysage, inaugurated in 1991, mobilizes a rigorously implemented procedure of rephotography to sensitize the public to the evolution of the French landscape, the group of photographers united since 2011 under the moniker France(s) territoire liquide has produced a decidedly more personal and subjective view of a territory in flux. Though they differ greatly in the way they envision space, this chapter suggests that both groups privilege the lesser seen, the interstitial, and the vernacular to provide a nuanced vision of France that challenges the most dominant conceptions and clichés—in the rhetorical and graphic sense of the word—of the nation as a whole.
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