{"title":"跨过门槛:","authors":"K. Corless","doi":"10.2307/j.ctvhrd11n.8","DOIUrl":null,"url":null,"abstract":"The films of Pedro Costa have reinvented the relationship between film-maker and subject. Kieron Corless talks to the Portuguese director and, overleaf, Argentinian critic Quintin charts the development of his unique filming style","PeriodicalId":445057,"journal":{"name":"Tear Gas Epiphanies","volume":"303 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Crossing the Threshold:\",\"authors\":\"K. Corless\",\"doi\":\"10.2307/j.ctvhrd11n.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The films of Pedro Costa have reinvented the relationship between film-maker and subject. Kieron Corless talks to the Portuguese director and, overleaf, Argentinian critic Quintin charts the development of his unique filming style\",\"PeriodicalId\":445057,\"journal\":{\"name\":\"Tear Gas Epiphanies\",\"volume\":\"303 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tear Gas Epiphanies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvhrd11n.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tear Gas Epiphanies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvhrd11n.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The films of Pedro Costa have reinvented the relationship between film-maker and subject. Kieron Corless talks to the Portuguese director and, overleaf, Argentinian critic Quintin charts the development of his unique filming style
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
