{"title":"《知道太多的人》(1956)","authors":"J. Billheimer","doi":"10.2307/j.ctvfjcx5v.31","DOIUrl":null,"url":null,"abstract":"The remake of Hitchcock’s 1934 film retained the title and certain key elements of the original, in which the child of a vacationing couple is kidnapped, including the climactic assassination attempt in Albert Hall. But the details of the story changed a great deal. The vacationing couple is American, not English, the kidnapped child is a boy, not a girl, and the wife, played by Doris Day, is a retired musical star rather than an expert marksman. The Production Code office, which had excised five minutes of a climactic gun battle from the original, had relatively few objections to the remake. Censors objected to the kidnapping of a young child, the suggestion that the child’s life might be in danger, and wanted to make it clear that the villain was only ‘posing’ as a minister, not actually a man of the cloth. Hitchcock easily accommodated these suggestions by raising the age of the child to eight and adjusting a few bits of dialogue, reflecting both the gradual weakening of the Code and the director’s increasing skill in dealing with censorship.","PeriodicalId":163181,"journal":{"name":"Hitchcock on Hitchcock, Volume 2","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Man Who Knew Too Much (1956)\",\"authors\":\"J. Billheimer\",\"doi\":\"10.2307/j.ctvfjcx5v.31\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The remake of Hitchcock’s 1934 film retained the title and certain key elements of the original, in which the child of a vacationing couple is kidnapped, including the climactic assassination attempt in Albert Hall. But the details of the story changed a great deal. The vacationing couple is American, not English, the kidnapped child is a boy, not a girl, and the wife, played by Doris Day, is a retired musical star rather than an expert marksman. The Production Code office, which had excised five minutes of a climactic gun battle from the original, had relatively few objections to the remake. Censors objected to the kidnapping of a young child, the suggestion that the child’s life might be in danger, and wanted to make it clear that the villain was only ‘posing’ as a minister, not actually a man of the cloth. Hitchcock easily accommodated these suggestions by raising the age of the child to eight and adjusting a few bits of dialogue, reflecting both the gradual weakening of the Code and the director’s increasing skill in dealing with censorship.\",\"PeriodicalId\":163181,\"journal\":{\"name\":\"Hitchcock on Hitchcock, Volume 2\",\"volume\":\"20 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hitchcock on Hitchcock, Volume 2\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvfjcx5v.31\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hitchcock on Hitchcock, Volume 2","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvfjcx5v.31","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The remake of Hitchcock’s 1934 film retained the title and certain key elements of the original, in which the child of a vacationing couple is kidnapped, including the climactic assassination attempt in Albert Hall. But the details of the story changed a great deal. The vacationing couple is American, not English, the kidnapped child is a boy, not a girl, and the wife, played by Doris Day, is a retired musical star rather than an expert marksman. The Production Code office, which had excised five minutes of a climactic gun battle from the original, had relatively few objections to the remake. Censors objected to the kidnapping of a young child, the suggestion that the child’s life might be in danger, and wanted to make it clear that the villain was only ‘posing’ as a minister, not actually a man of the cloth. Hitchcock easily accommodated these suggestions by raising the age of the child to eight and adjusting a few bits of dialogue, reflecting both the gradual weakening of the Code and the director’s increasing skill in dealing with censorship.