Juraj Tesák Mošovský -一位人文主义者,他的作品被遗忘了两次

A. Škovierová
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摘要

Juraj Tesák Mošovský是一位重要的新教教会要人,也是17世纪初在波希米亚王国找到专业工作的斯洛伐克作家中最多产的人文主义作家之一。在专业文献中,他的捷克语和拉丁语以及捷克语和拉丁语双语作品共计38余种。Tesák是宗教教育道德论文,反思,布道和偶尔的诗歌作品的作者。他的工作主要是神学性质,并可能揭示Mošovský的倾向于Utraquism。1577年左右,他被祝圣,并签署了乌特拉奎派牧师的教会命令。因此,著名的耶稣会审查官Antonín科尼亚什将Tesák的著作列入他的禁书索引,在波西米亚的反宗教改革和天主教化期间,这些著作被大量销毁。本研究对Mošovský的印刷品进行了概览,将其分为两类:未被列入禁书索引的Tesák Mošovský的文件(11项)和未保存的作品(21项)。还添加了两次出版的印刷品列表(3项)。根据科尼亚什的说法,对已知的应该被销毁的印刷品(以及至今没有保存下来的印刷品)的初步分析表明,它们大多是包含异端教义的印刷品,与天主教会的教义不符。其中也有Tesák Mošovský对被认为是异教徒的人持积极态度的文章。最后,还有一些印刷品涉及胡赛派和老胡赛派歌曲。很自然,这就是为什么J. Tesák Mošovský的许多作品遭到破坏的原因,也是为什么即使是社会主义时期的文学史对它们也不感兴趣的原因。
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Juraj Tesák Mošovský — a humanist whose works were forgotten twice
Juraj Tesák Mošovský was an important Protestant church dignitary and one of the most prolific humanist writers among Slovak authors who found professional employment in the Kingdom of Bohemia at the turn of the 17th century. In total, the professional literature lists more than 38 titles of his Czech and Latin as well as bilingual Czech-Latin writings. Tesák is the author of religious-educational moral treatises, reflections, sermons and occasional verse works. His work was mostly theological in nature and probably revealed Mošovský’s inclination towards Utraquism. Around 1577, he was consecrated (ordained) and signed the church order of Utraquist priests. Therefore, the well-known Jesuit censor Antonín Koniaš included Tesák’s writings in his index of forbidden books, and during the period of Counter-Reformation and recatholicisation in Bohemia, they were destroyed en masse. The study provides an overview of Mošovský’s prints, dividing them into two categories: the files of Tesák Mošovský which are not recorded in the indexes of prohibited books (11 items) and his unpreserved writings (21 items). A list of the prints that were published twice is also added (3 items). The initial analysis of what is known about the prints that were supposed to be destroyed (and have not been preserved to this day) showed that they were mostly prints that, according to Koniaš, contained heretical teachings that did not correspond to the teachings of the Catholic Church. Among them were also writings in which Tesák Mošovský expressed a positive attitude towards the persons who were considered heretics. Finally, there were prints that referred to Hussiteism and older Hussite songs. It is natural that these were the reasons why so many prints of J. Tesák Mošovský were condemned to destruction, and why even literary history during the period of socialism was not interested in them.
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