乌里扬尼奇清唱剧作品中的宗教主题

Antonina Belyaeva
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摘要

维克多·乌里扬尼奇的作品是多方面和多样化的。清唱剧在作曲家的作品中占有特殊的地位。本文对维克托·乌里扬尼奇合唱作品中的宗教主题进行了研究,揭示了其形象和主题内容、体裁和风格特点。维克多·乌里扬尼奇在他的作品中引用了俄罗斯经典诗作——普希金、莱蒙托夫、秋切娃、霍米雅科娃、雅普。波隆斯基,使用民间传说和教会斯拉夫礼仪文本。在他的作品中,作曲家触及永恒的主题,他主要涉及宗教和抒情哲学诗歌,关于自我认识,关于空间和自然的创造,关于神圣的命运。作为分析的素材,我们使用了由Archimandrite Vitaly (Sidorenko)作词的康塔塔“Guiding lighthouse”。合唱团的无伴奏合唱作品-“F. Tyutchev歌词的两首合唱”,V. Lazarev歌词的“合唱双联”和经典文本的“三首精神圣歌”。总结论:乌里扬尼奇作品中的宗教主题获得了一种新的、个性化的声音。作曲家的创新音乐语言与合唱创作的传统密切相关,并融合了19 -20世纪俄罗斯作曲家精神作品的特点。
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Religious theme in the cantata-oratorio works of Viktor Ulyanich
The work of Viktor Ulyanich is multifaceted and varied. A special place in the composer's work is occupied by cantata-oratorio works. The article is devoted to the religious theme in Viktor Ulyanich's choral works, revealing their figurative and thematic content, genre and stylistic features. Victor Ulyanich in his works refers to the poetic work of Russian classics - A.S. Pushkin, M.I. Lermontov, F.I. Tyutcheva, A.S. Khomyakova, Ya.P. Polonsky, uses folklore and Church Slavonic liturgical texts. In his works, the composer touches on eternal themes, he mainly refers to religious and lyric-philosophical poems about self-knowledge, about the creation of space and nature, about divine destiny. As a material for the analysis, the cantata "Guiding Ligthouse" the lyrics by Archimandrite Vitaly (Sidorenko) was used. Works for the choir a capella - "Two choirs to the lyrics by F. Tyutchev", "Choral diptych" to the lyrics by V. Lazarev and "Three spiritual chants" to the canonical texts.General conclusion: The religious theme in the work of Viktor Ulyanich acquires a new, individual sound. The composer's innovative musical language is closely connected with the traditions of choral writing and incorporates the characteristic features of the spiritual works of Russian composers of the 19th-20th centuries.
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