{"title":"日本人维托里奥·皮卡:激进的评论家和文学与艺术的收藏","authors":"D. Lacagnina","doi":"10.30687/ANNOR/2385-3042/2019/01/017","DOIUrl":null,"url":null,"abstract":"This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts. ","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte\",\"authors\":\"D. Lacagnina\",\"doi\":\"10.30687/ANNOR/2385-3042/2019/01/017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts. \",\"PeriodicalId\":388818,\"journal\":{\"name\":\"55 | 2019\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"55 | 2019\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"55 | 2019","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte
This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts.
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