未被束缚的魅魔:美国最高法院提名听证会的新制度分析

Adam M. McMahon
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引用次数: 0

摘要

现代最高法院提名听证会是有争议的政治事件,第109届和第111届国会为确认约翰·罗伯茨、塞缪尔·阿利托、索尼娅·索托马约尔和埃琳娜·卡根而举行的四次听证会就是明证。参议员们似乎通过在司法委员会听证会上的提问,有意提出对提名人的怀疑,将“司法克制”的标签与倾向于“理性”的男性、白人、异性恋者联系在一起。被任命者被认为体现了女性、非白人、酷儿和情感实践的“司法激进主义”,以形成对比。这种二元结构使得提名过程中的辩论具有破坏性的简化性。因此出现了一个悖论:由于忽视了描述性代表性的重要性,最高法院潜在大法官的身份成为听证会上最突出的问题之一;随后,这导致参议员们利用线索,将属于一个或多个少数群体的被提名人塑造成漫画或“稻草人”,以削弱和抹黑原本合格的法学家,并实现政党对白宫的“胜利”。
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Unchained Succubus: A Queer New Institutional Analysis of U.S. Supreme Court Nomination Hearings
Modern Supreme Court nomination hearings are contentious political events, as evidenced by the four held during the 109th and 111th Congresses to confirm John Roberts, Samuel Alito, Sonia Sotomayor, and Elena Kagan. Senators appear to raise suspicion of nominees purposefully through their questioning during Judiciary Committee hearings, connecting the label of “judicial restraint” with candidates who are male, white, straight, and prone to “reason.” Appointees thought to embody the feminine, nonwhite, queer, and emotional practices of “judicial activism” to offer a contrast. This dichotomous construction has made debates during the nomination process destructively reductive. A paradox thus emerges: by ignoring the importance of descriptive representation, the identity of potential justices to the Supreme Court becomes one of the most salient issues during the hearings; subsequently, this has resulted in senators using cues to create a caricature or “straw man” of nominees belonging to one or more minority groups in order to weaken and discredit otherwise qualified jurists and achieve a party “win” against the White House.
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