{"title":"短暂的大教堂:石头的身体和电影的配置","authors":"V. Hediger","doi":"10.5117/9789089648525_chi05","DOIUrl":null,"url":null,"abstract":"At first sight, a statue that appears in a film is a prop among others. It can\n serve to situate the action, it can be an attribute of a character, indicating\n the person’s taste and social status, and it can become a world-making\n detail, as in historical epics set in antiquity, where statues serve as the kind\n of ornament used to describe the world of the film and lend it credibility.\n But as it appears in a film, it raises questions about film as an art of the\n gesture, and about the power of film to endow inanimate objects with\n agency.","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"58 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Ephemeral Cathedral : Bodies of Stone and Configurations of Film\",\"authors\":\"V. Hediger\",\"doi\":\"10.5117/9789089648525_chi05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"At first sight, a statue that appears in a film is a prop among others. It can\\n serve to situate the action, it can be an attribute of a character, indicating\\n the person’s taste and social status, and it can become a world-making\\n detail, as in historical epics set in antiquity, where statues serve as the kind\\n of ornament used to describe the world of the film and lend it credibility.\\n But as it appears in a film, it raises questions about film as an art of the\\n gesture, and about the power of film to endow inanimate objects with\\n agency.\",\"PeriodicalId\":220682,\"journal\":{\"name\":\"Bodies of Stone in the Media, Visual Culture and the Arts\",\"volume\":\"58 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bodies of Stone in the Media, Visual Culture and the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789089648525_chi05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bodies of Stone in the Media, Visual Culture and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789089648525_chi05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Ephemeral Cathedral : Bodies of Stone and Configurations of Film
At first sight, a statue that appears in a film is a prop among others. It can
serve to situate the action, it can be an attribute of a character, indicating
the person’s taste and social status, and it can become a world-making
detail, as in historical epics set in antiquity, where statues serve as the kind
of ornament used to describe the world of the film and lend it credibility.
But as it appears in a film, it raises questions about film as an art of the
gesture, and about the power of film to endow inanimate objects with
agency.