短暂的大教堂:石头的身体和电影的配置

V. Hediger
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引用次数: 0

摘要

在电影中出现的雕像,乍一看只是一个道具。它可以用来定位动作,它可以是一个角色的属性,表明这个人的品味和社会地位,它可以成为一个创造世界的细节,就像在古代的历史史诗中,雕像作为一种装饰品用来描述电影的世界,并赋予它可信度。但当它出现在电影中时,它提出了关于电影作为一种姿态艺术的问题,以及关于电影赋予无生命物体以能动性的力量的问题。
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The Ephemeral Cathedral : Bodies of Stone and Configurations of Film
At first sight, a statue that appears in a film is a prop among others. It can serve to situate the action, it can be an attribute of a character, indicating the person’s taste and social status, and it can become a world-making detail, as in historical epics set in antiquity, where statues serve as the kind of ornament used to describe the world of the film and lend it credibility. But as it appears in a film, it raises questions about film as an art of the gesture, and about the power of film to endow inanimate objects with agency.
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5. The Ephemeral Cathedral : Bodies of Stone and Configurations of Film 4. Animated Statues and Petrified Bodies : A Journey Inside Fantasy Cinema 4. The Well-Tempered Memorial : Abstraction, Anthropomorphism, Embodiment 4. Glass, Mixed Media, Stone : The Bodily Stuffs of Suspended Animation 1. Funeral Eulogy : Post-Mortem Figures and Redeemed Bodies, in Images
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