{"title":"插曲4","authors":"R. Joyce","doi":"10.1093/OSO/9780190888138.003.0009","DOIUrl":null,"url":null,"abstract":"IN 2009, AN AUSTRALIAN art historian meditated on the prospect of contemporary Aboriginal art being used to mark a nuclear waste repository that might be built in that country. He began his essay with a summary of the plan for marking nuclear waste in the US:...","PeriodicalId":389390,"journal":{"name":"The Future of Nuclear Waste","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interlude 4\",\"authors\":\"R. Joyce\",\"doi\":\"10.1093/OSO/9780190888138.003.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"IN 2009, AN AUSTRALIAN art historian meditated on the prospect of contemporary Aboriginal art being used to mark a nuclear waste repository that might be built in that country. He began his essay with a summary of the plan for marking nuclear waste in the US:...\",\"PeriodicalId\":389390,\"journal\":{\"name\":\"The Future of Nuclear Waste\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Future of Nuclear Waste\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780190888138.003.0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Future of Nuclear Waste","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190888138.003.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
IN 2009, AN AUSTRALIAN art historian meditated on the prospect of contemporary Aboriginal art being used to mark a nuclear waste repository that might be built in that country. He began his essay with a summary of the plan for marking nuclear waste in the US:...