公共空间区域/特殊区域连接中的女性表现

Özge Gürsoy Atar
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引用次数: 0

摘要

随着工业革命的到来,公共/私人的区别变得更加尖锐。从传统观点来看,那些在家庭以外从事有偿工作谋生的人(男子)被认为是他们参与公共生活的一部分。经济上依赖的人(妇女)被认为属于私人领域。我们看到,私人空间的概念与女性一起被提到。人们总是批评私人领域和母性的概念限制了女性。现存的秩序是通过在电影和电视等大众媒介中重复这些话语来维持的。然而,在当代叙事电影中,这种对女性的限制是通过用不同的语言或超越传统的刻板印象来改变的。在这种情况下,妈妈!这部电影将通过对空间的表现,在女权主义电影批评的背景下进行审查。
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Representation of Women in the Connecting of the Public Space Area/Special Area
With the industrial revolution, the public/private distinction became even more acute. From the traditional point of view, those who make a living (men) by working outside the home in paid work are perceived as part of their participation in public life. Economically dependent people (women) were perceived as belonging to the private sphere. We see that the concept of private space is mentioned together with women. It is always criticized that the concepts of private sphere and motherhood limit women. The existing order is maintained by repeating these discourses in mass media such as cinema and television. In contemporary narrative cinema, however, this limitation of women is intended to be altered by addressing it with a different language or by going beyond conventional stereotypes. In this context, Mother! the film will be examined in the context of feminist film criticism through the representation of space.
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