{"title":"电影《Susah Sinyal》中观众对单亲妈妈的接受度","authors":"Muhammad Irawan Saputra, Alfiazahra Alfiazahra, Valenia Juvita Gunadi, Agustina Sitti Anggawen, Sinta Ayudiya Ariani","doi":"10.15575/cjik.v7i1.25594","DOIUrl":null,"url":null,"abstract":"Children raised by single parents often face more difficulties in family relationships than children raised in intact families. Single parents frequently struggle to balance work and parental responsibilities. Ernest Prakasa’s film Susah Sinyal attempts to raise awareness of the phenomenon of single parenthood by depicting the relationship and struggles of a single mother and her daughter. The objectives of this study were to (1) examine how the audience interprets the representation of single parents in films, and (2) investigate how this representation influences the audience’s understanding of single-parent life in the real world. This study included five children raised by single parents. This is a descriptive study that is divided into two stages using the reception analysis method. The first step is to perform content analysis or encoding. The second stage is decoding, which includes a Focused Group Discussion (FGD). The findings indicate that the representation of single parents in the film has various meanings for the audience. They felt that the film accurately represented their point of view while others said no. This film does not provide many new ideas or alternative perspectives on single-parent family life. Furthermore, the message conveyed in this film could be a reflection of Indonesian society.","PeriodicalId":346003,"journal":{"name":"Communicatus: Jurnal Ilmu komunikasi","volume":"21 12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Audience’s Acceptance of a Single Parent in The Film \\\"Susah Sinyal”\",\"authors\":\"Muhammad Irawan Saputra, Alfiazahra Alfiazahra, Valenia Juvita Gunadi, Agustina Sitti Anggawen, Sinta Ayudiya Ariani\",\"doi\":\"10.15575/cjik.v7i1.25594\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Children raised by single parents often face more difficulties in family relationships than children raised in intact families. Single parents frequently struggle to balance work and parental responsibilities. Ernest Prakasa’s film Susah Sinyal attempts to raise awareness of the phenomenon of single parenthood by depicting the relationship and struggles of a single mother and her daughter. The objectives of this study were to (1) examine how the audience interprets the representation of single parents in films, and (2) investigate how this representation influences the audience’s understanding of single-parent life in the real world. This study included five children raised by single parents. This is a descriptive study that is divided into two stages using the reception analysis method. The first step is to perform content analysis or encoding. The second stage is decoding, which includes a Focused Group Discussion (FGD). The findings indicate that the representation of single parents in the film has various meanings for the audience. They felt that the film accurately represented their point of view while others said no. This film does not provide many new ideas or alternative perspectives on single-parent family life. Furthermore, the message conveyed in this film could be a reflection of Indonesian society.\",\"PeriodicalId\":346003,\"journal\":{\"name\":\"Communicatus: Jurnal Ilmu komunikasi\",\"volume\":\"21 12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Communicatus: Jurnal Ilmu komunikasi\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15575/cjik.v7i1.25594\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communicatus: Jurnal Ilmu komunikasi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15575/cjik.v7i1.25594","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Audience’s Acceptance of a Single Parent in The Film "Susah Sinyal”
Children raised by single parents often face more difficulties in family relationships than children raised in intact families. Single parents frequently struggle to balance work and parental responsibilities. Ernest Prakasa’s film Susah Sinyal attempts to raise awareness of the phenomenon of single parenthood by depicting the relationship and struggles of a single mother and her daughter. The objectives of this study were to (1) examine how the audience interprets the representation of single parents in films, and (2) investigate how this representation influences the audience’s understanding of single-parent life in the real world. This study included five children raised by single parents. This is a descriptive study that is divided into two stages using the reception analysis method. The first step is to perform content analysis or encoding. The second stage is decoding, which includes a Focused Group Discussion (FGD). The findings indicate that the representation of single parents in the film has various meanings for the audience. They felt that the film accurately represented their point of view while others said no. This film does not provide many new ideas or alternative perspectives on single-parent family life. Furthermore, the message conveyed in this film could be a reflection of Indonesian society.