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引用次数: 0

摘要

Manifest Technique追溯了菲律宾裔美国人嘻哈表演的方式,以纪念菲律宾人身体的种族化历史。通过书中所谓的菲律宾裔美国人嘻哈方言,菲律宾裔美国人一直在塑造菲律宾种族知识的关键形式。受到提升非裔美国人尊严的嘻哈文化资源的启发,菲律宾裔美国人对嘻哈的沉浸影响了正在进行的菲律宾种族自我建构,参与了菲律宾去殖民化的长期斗争。通过概述菲律宾裔美国人如何在更广泛的嘻哈轮廓中发挥重要作用,并为他们的历史抹去提供反记忆,《显性技术》证明了弥合官方记忆边缘的差距所需要的劳动。通过观察艺术家和参与者的叙事、音乐、体现和视觉表达,这本书推动了对美国种族和民族的理解,而不是简单地从自由多元文化主义的角度来理解,这种多元文化主义是水平和非历史地分配权力的,而是通过结构性支配的批判性视角来理解,这种视角认为权力是垂直应用的,是历史根源的。简而言之,这本书通过关注嘻哈文化实践,观察了记忆和帝国的交叉点,这些文化实践嵌入了菲律宾后殖民时期出现的种族项目中。
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Manifest Technique
Manifest Technique traces the ways in which Filipino American hip hop performances remember the racialized histories of the Filipino body. Mediated through what the book calls a Filipino American hip hop vernacular, Filipino Americans have been fashioning crucial forms of Filipino racial knowledge. Inspired by hip hop’s cultural resources that uplifts the dignity of African Americans, Filipino Americans’ immersion in hip hop has influenced ongoing Filipino racial self-construction, engaging a longer struggle of Filipino decolonization. Manifest Technique testifies to the labor required to bridge the gaps within the margins of official memory by outlining how Filipino Americans have been instrumental in contributing to the broader contours of hip hop and in providing a counter-memory to their historical erasure. In observing artists’ and participants’ narratives, music, embodiments, and visual expressions, this book is an impetus to understand race and ethnicity in the United States not simply in terms of liberal multiculturalism, which distributes power horizontally and ahistorically, but through the critical lens of structural domination, which recognizes power as vertically applied and historically rooted. In short, this book observes the intersections of memory and empire by focusing on hip hop cultural practices embedded within the ongoing racial project of Filipino postcolonial emergence.
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