18世纪末至19世纪上半叶《俄国游记》中虚构地理德国的主要特征

S. Zhdanov
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引用次数: 1

摘要

本文研究了18世纪末至19世纪上半叶俄国游记中所呈现的德国的空间形象。从符号学角度研究的文本语料库包括a. T.波洛托夫、D. P.戈里赫沃斯托夫、D. I. Fonvizin、N. M. Karamzin、S. a. Korsakov、W. K. kkchelbecker、F. P. Lubyanovsky、I. P. Myatlev、M. P. Pogodin、a. Ya的作品。克里莫夫,V. N.季诺维耶夫。确定了一组代表虚拟地理德国的主要特征。这一集的中心是秩序的母题,实现在两个图像-一个理性组织的空间的启蒙精神和一个田园诗基于阿卡迪亚神话。“修补后的德国”的其他空间特征是干净、准确、紧密、狭窄、微型,与秩序概念联系在一起。强调了俄罗斯游客对德国景点的矛盾心理。田园诗般的德国在俄国文学中不仅受到赞赏,而且受到讽刺的嘲弄。理性组织、文明的德国景观既因其舒适而受到赞扬,也因其极端形式的非人性化而受到批评。
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Principal Features of the Imaginal-geographic Germany in the Russian Travelogues of the Late 18th – First Half of the 19th Centuries
The paper deals with the spatial images of Germany represented in Russian travelogues of the late 18th – first half of the 19th centuries. The text corpus studied from a semiotic perspective consists of works by A. T. Bolotov, D. P. Gorikhvostov, D. I. Fonvizin, N. M. Karamzin, S. A. Korsakov, W. K. Küchelbecker, F. P. Lubyanovsky, I. P. Myatlev, M. P. Pogodin, A. Ya. Klimov, V. N. Zinovyev. A set of principal features representing the imaginal-geographic Germany is determined. The center of this set is the motif of orderliness actualizing in two images — a rationally organized space in the spirit of the Enlightenment and an idyll based on the Arcadian myth. The other spatial characteristics of the patched-up Germany are cleanness, accuracy, closeness, narrowness, miniatureness connected with the concept of order. The ambivalence of Russian travelers’ perceiving the German loci is emphasized. The idyllic Germany is not only admired but also ironically travestied in Russian literature. The rationally organized, civilized German landscape is both praised for its comfortableness and criticized in the frames of its extreme forms for dehumanization.
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