走向成功:毕加索在艺术市场的崛起(前二十年)

E. Mallen
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引用次数: 0

摘要

本文探讨了毕加索艺术生涯前二十年的作品展览,以及与这些展览有过接触的交易商和收藏家。它描述了毕加索和他的第一批经销商之间的关系,Pere Manyach, Berthe Weill, Clovis Sagot, Pere Soulier, Ambroise Vollard, Daniel-Henry Kahnweiler, Georg Caspari, L. W. Guthier, Hans Goltz, Heinrich Thannhauser, Otto Feldmann, Alfred fleechheim, Emil Richter, Gottfried Tanner, Michael Brenner, R. J. Coady, Leonce Rosenberg, Paul Rosenberg等;以及他的第一批收藏家,Leo and Gertrude Stein, Olivier Sainsere, Joachim Gasquet, Wilhelm Uhde, Herman Rupf, vincent kramajv, Frank Stoop, Hugo Perls, Edwin Suermondt, Paul Ferdinand Schmidt博士,Princess Mechtilde Lichnowsky, Henry Simms, Ludwig and Rosy Fischer, Professor Wilhelm Kreis, Adolf erbloch, Justin K. Thannhauser, Sergei Ivanovich Shchukin, Ivan A. Morosov等。它还列出了这一时期所有重要的毕加索展览,以及这些交易商和收藏家如何参与这些展览的安排。这里提供的信息摘自对巴勃罗·毕加索的批评文献的详尽研究,以及已出版的展览目录。
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Reaching for Success: Picasso’s Rise in the Market (The First Two Decades)
This article explores the exhibitions of Picasso’s works in the first two decades of his artistic career, as well as the dealers and collectors who came into contact with them. It describes the relationship between Picasso and his first dealers, Pere Manyach, Berthe Weill, Clovis Sagot, Pere Soulier, Ambroise Vollard, Daniel-Henry Kahnweiler, Georg Caspari, L. W. Guthier, Hans Goltz, Heinrich Thannhauser, Otto Feldmann, Alfred Flechtheim, Emil Richter, Gottfried Tanner, Michael Brenner, R. J. Coady, Leonce Rosenberg, Paul Rosenberg, etc.; as well as his first collectors, Leo and Gertrude Stein, Olivier Sainsere, Joachim Gasquet, Wilhelm Uhde, Herman Rupf, Vincenc Kramař, Frank Stoop, Hugo Perls, Edwin Suermondt, Dr. Paul Ferdinand Schmidt, Princess Mechtilde Lichnowsky, Henry Simms, Ludwig and Rosy Fischer, Professor Wilhelm Kreis, Adolf Erblosch, Justin K. Thannhauser, Sergei Ivanovich Shchukin, Ivan A. Morosov, etc. It also identifies all important Picasso expositions in this time period and how those dealers and collectors were involved in their arrangement. The information provided here has been excerpted from an exhaustive study of the critical literature on Pablo Picasso, as well as from published exhibition catalogues.
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