{"title":"计算机生成的立体图:图形艺术的新维度","authors":"D. Morland","doi":"10.1145/563274.563279","DOIUrl":null,"url":null,"abstract":"The discovery of stereopsis in the mid-nineteenth century presented the opportunity to simulate the visual impact of a three-dimensional entity through a pair of two-dimensional, perspective images. Modern image processing techniques now permit the extensive exploration of abstract stereograms, but most recent investigations have focused on scientific rather than aesthetic compositions. This paper describes a complete svstem for the creation of stereo artwork and discusses the implications of using stereoscopy for artistic, \"three-dimensional expression.","PeriodicalId":160433,"journal":{"name":"Proceedings of the 3rd annual conference on Computer graphics and interactive techniques","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1976-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":"{\"title\":\"Computer-generated stereograms: a new dimension for the graphic arts\",\"authors\":\"D. Morland\",\"doi\":\"10.1145/563274.563279\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The discovery of stereopsis in the mid-nineteenth century presented the opportunity to simulate the visual impact of a three-dimensional entity through a pair of two-dimensional, perspective images. Modern image processing techniques now permit the extensive exploration of abstract stereograms, but most recent investigations have focused on scientific rather than aesthetic compositions. This paper describes a complete svstem for the creation of stereo artwork and discusses the implications of using stereoscopy for artistic, \\\"three-dimensional expression.\",\"PeriodicalId\":160433,\"journal\":{\"name\":\"Proceedings of the 3rd annual conference on Computer graphics and interactive techniques\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1976-07-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"9\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 3rd annual conference on Computer graphics and interactive techniques\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/563274.563279\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 3rd annual conference on Computer graphics and interactive techniques","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/563274.563279","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Computer-generated stereograms: a new dimension for the graphic arts
The discovery of stereopsis in the mid-nineteenth century presented the opportunity to simulate the visual impact of a three-dimensional entity through a pair of two-dimensional, perspective images. Modern image processing techniques now permit the extensive exploration of abstract stereograms, but most recent investigations have focused on scientific rather than aesthetic compositions. This paper describes a complete svstem for the creation of stereo artwork and discusses the implications of using stereoscopy for artistic, "three-dimensional expression.
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