铜版画

Michael Denton, Anna McCrickard
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引用次数: 0

摘要

现场视听活动。时长:30 - 70分钟。地点:单屏/电影院。音乐和图像重叠。重叠在电影、电视和视频艺术之外形成了一种风格——一种抽象和组合图像的方式,这种方式具有音乐或绘画逻辑,而不是基于叙事或概念的逻辑。一个视觉上的连续主义-壁纸与自负。最近的作品通过在过渡中隐含的运动系统,使用谨慎的画面平面和模糊技术来探索静止和运动图像之间的关系。通过一个更类似于记忆和梦想的感知锁眼,我们看到的是电影时间,但仅限于平面摄影空间。声音和图像的实验被浓缩成单个屏幕片段——懒波、云边、森林树、回归——形成现场混音的有用组件,为装置和表演提供视听复调。Aquatint是一种迷人的形状,灯光和抽象图像的舞蹈,在可识别的尖端,反映了我们在强大的自然环境中所经历的情感反应。大气、复杂、感性和朴实,但通过系统的模式在合成空间内传递。在一个无处不在、可立即解释的图像和信息的世界里,抽象的一个重要目的可能是一种普遍而又个人的感官映射。虽然通过绘画,加工的传递参考了传统的艺术形式,但Aquatint既浪漫又分析,比电影更接近记忆和梦想:促使人们思考美丽的描绘和景观可以触发的准宗教敬畏。元素的、技术的、戏剧化的、抽象的。
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Aquatint
Live audiovisual event. Duration: 30 to 70 minutes. Venue: single screen/ cinema. Music & Imagery Overlap. Overlap have developed a style outside film, TV and video art - a way of abstracting and combining imagery that has a musical or painterly logic rather than a narrative based or conceptual one. A visual take on serialism - wallpaper with conceits. Recent works explore the relationship between still and moving imagery through systems of implied motion within transitions, use of discreet picture planes and obscuration techniques. The view is in movie time but limited to flat photographic space, through a perceptual keyhole more akin to memories and dreams. Experiments with sound and image are distilled into single screen pieces - Lazy Wave, Cloud Edged, Forest Tree, Returning - forming useful components for live mixing, audiovisual polyphonies for installations and performances. Aquatint is a mesmeric dance of shapes, lights and abstract imagery on the cusp of the recognizable, reflecting the emotional response we experience in powerful natural environments. Atmospheric, complex, sensual and earthy, yet delivered through a systematic patterning within a synthetic void. In a world of ubiquitous, immediately interpret-able imagery and information, perhaps a crucial purpose for abstraction is a kind of universal yet personal sensory mapping. Whilst referencing a traditional art form through painterly, processed delivery, Aquatint is at once romantic and analytical, closer to memories and dreams than cinema: prompting thoughts about portrayals of beauty and the quasi-religious reverence that landscape can trigger. Elemental, technological, dramatised, abstraction.
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