Motalka,或Chiasmus的时间:Viktor Shklovsky的“对过去的革命选择”

Irina Sandomirskaja
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摘要

维克多·什克洛夫斯基遗留下来的一个重要部分仍然被形式主义学者所忽视,并因政治原因受到质疑:他有争议的批评和政治干预,以及他代表斯大林政权进行的宣传工作。关于什科夫斯基的个人记忆,以及他在那个时期发表的任何东西,都传达出一种妥协的不确定性。我的意思是,他在那个时期的作品具有特殊的价值,尽管它产生于围绕着他作为斯大林主义机会主义者的私人和公共形象的怀疑的阴影。基于他早期的理论发现以及他在文学和电影方面的实践和批判能力,什克洛夫斯基发现了反映政治暴力下的时代性、历史经验和(苏联)主体性的原始分析工具。他根据在这个有争议的时期所获得的历史经验,对他早期的理论假设进行了深刻的批判性修正,这与今天有关。
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Motalka, or Time in Chiasmus: Viktor Shklovsky’s “Revolutionary Choice of the Past”
Abstract An important part of Viktor Shklovsky’s legacy remains neglected by scholars of formalism and questioned for political reasons: his controversial critical and political interventions, as well as his work in propaganda on behalf of the Stalinist regime. Personal memories of Shkovsky and whatever is available in his publications from that period all convey a sense of compromising uncertainty. I am suggesting that his work during that period has special value, even though it arises from the shadow of a doubt that surrounds his private and public images as a Stalinist opportunist. Based on his earlier theoretical findings and his practical and critical competence in literature and film, Shklovsky found original analytical tools to reflect temporality, historical experience, and (Soviet) subjectivity under political violence. His profound critical revision of his early theoretical postulates in the light of historical experience gained during this controversial period is relevant nowadays.
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Motalka, or Time in Chiasmus: Viktor Shklovsky’s “Revolutionary Choice of the Past” Ornament as a formalist object Editorial: Workshop on European formalisms (Germanic countries and Eastern Europe) Formalism’ as an epistemological fact. Structural / Possible / Fictional: A few notes on the shift from structural poetics and stylistics to the theory of fictional worlds in the perspective of Lubomír Doležel’s work The Formalist Cinematographic Theory: a Refined Thinking of the Expressionist Film Conception?
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