{"title":"Bolero, bebop i „bal nad bale” czyli taneczne metafory w wybranych tekstach piosenek Agnieszki Osieckiej","authors":"M. Ziółkowska","doi":"10.19195/2082-8322.15.3","DOIUrl":null,"url":null,"abstract":"The article is an analysis of selected lyrics from Agnieszka Osiecka’s songs based on the theme of dance as a metaphor. The author of Sopockie bolero, To nasze sopockie bolero and Niech żyje bal uses dance as a lyrical situation which allows the author to analyze the lyrical I’s intensified emotions. Osiecka also uses the possibilities provided by the song form — rhythmicity, repetitions, the closeness of the language of the song to the language of choreography.","PeriodicalId":393804,"journal":{"name":"Dziennikarstwo i Media","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dziennikarstwo i Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19195/2082-8322.15.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文以舞蹈为隐喻的主题,对奥西耶卡歌曲中的部分歌词进行分析。《Sopockie bolero》、《To nasze Sopockie bolero》和《Niech żyje bal》的作者将舞蹈作为一种抒情情境,使作者能够分析抒情I的强烈情绪。奥西卡也利用了歌曲形式提供的可能性——节奏,重复,歌曲语言与舞蹈语言的接近。
Bolero, bebop i „bal nad bale” czyli taneczne metafory w wybranych tekstach piosenek Agnieszki Osieckiej
The article is an analysis of selected lyrics from Agnieszka Osiecka’s songs based on the theme of dance as a metaphor. The author of Sopockie bolero, To nasze sopockie bolero and Niech żyje bal uses dance as a lyrical situation which allows the author to analyze the lyrical I’s intensified emotions. Osiecka also uses the possibilities provided by the song form — rhythmicity, repetitions, the closeness of the language of the song to the language of choreography.