Marcello Angheben
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摘要

“维克多基督”或“贝利格基督”——《诗篇》第90篇中践踏动物的基督——出现在三座摩桑神庙的山墙末端。当诗篇唤起四种动物被上帝践踏时,这些作品只展示了狮子和龙,或者,或者,只有龙。1046年,在维塞神庙山墙的一端,基督被描绘成碾压两只动物。这部分在17世纪70年代被插入到一个新的神殿中。在这幅作品中,在神殿的另一边,与维克多基督相对应的是一个站立的基督,为圣哈德林和圣雷马克加冕。靖国神社的两端也保存了下来,但目前是分开的。然而,他们所属的原始神殿的性质仍然未知。短的一面呈现出与维塞一样的对称构图,但在这里,圣奥德出现在中间,而不是基督,两侧是两种美德的人格化。最后,斯塔夫洛特两座神殿中较近的一座,大约建于1250-1260年,两端都有一个宝座上的人物:基督脚下有一条龙,另一边是圣母和圣婴。
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Christus Victor, Sacerdos et Judex
The Christus Victor or Christus Belliger-Christ trampling the animals of Psalm 90- appears on the gable end of three Mosan shrines. While the psalm evokes four animals being trampled upon by the Lord, these works only show the lion and the dragon, or, alternatively, only the dragon. On one of the gable ends of the Vise shrine, dated 1046, Christ is depicted crushing both animals. This part was inserted into a new shrine in the 1170s. In this composition, the counterpart of the Christus Victor, on the opposite side of the shrine, is a standing Christ crowning St Hadelin and St Remacle. Both ends of the Amay shrine have also survived, but are currently separated. The nature of the original shrine to which they belonged, however, remains unknown. One short side presents the same symmetric composition as in Vise, but here, instead of Christ, St Ode appears in the centre flanked by the personifications of two virtues. Finally, the more recent of both shrines of Stavelot, dated around 1250-1260, presents an enthroned figure on each end: Christ with a dragon under his feet on one side and the Madonna and Child on the other.
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