在声乐专业中运用爵士即兴演奏原则:以声乐专业为重点

Yeon Nam
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引用次数: 0

摘要

本研究旨在发展一种通过歌唱的方法,即爵士即兴创作的原则,但侧重于将即兴创作作为一种作曲工具,而不是培养真正的爵士即兴技巧。课程分为四个阶段:唱和弦音,唱和弦音在和弦进行上,在和弦进行上创作旋律,和歌词一起创作旋律,这些阶段可以根据整个课程的水平和学习者的理论背景和成就分成更小的步骤。在课堂上,学习者可以通过唱歌来体验创作,为创造性工作奠定基础。本研究的意义在于发展一种教学方法,通过结合理论和表演的机会来帮助声乐专业的学生扩大他们的音乐范围。
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Using Principles of Jazz Improvisation for Vocal Majors: Focusing on Vocal Majors
This study aims to develop a method of through singing that the principles of jazz improvisation, but focuses on improvisation as a tool for composition rather than to cultivate authentic jazz improvisational techniques. The lessons are divided into four phases: singing chord tones, singing chord tones over chord progressions, creating melodies over chord progressions, and creating melodies with lyrics, which can be broken down into smaller steps depending on the level of the overall lesson and the learner’s theoretical background and achievement. In the class, learners can experience creation through singing and lay the foundation for creative work. The significance of this study lies in the development of a pedagogical approach to help vocal majors expand their musical spectrum through opportunities to combine theory and performance.
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Theory of Popular Music Singing Performance - Beyond Style Reflectionism Inter-Korea Musical Exchanges and Emotional Politics of Popular Music on the Korean Peninsula Death in Korean Popular Songs : An Exploratory Study - Focusing on the 1920s to 1950s Tradition and Innovation in 1st Generation Idol Music - The Case of Remakes Jazz Elements in the Music of 20th Century Soviet Composer Kapustin - Focusing on “Piano Concerto No. 2 Op. 14”
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