{"title":"从街头到街头","authors":"Yelena Bailey","doi":"10.5149/northcarolina/9781469660592.003.0004","DOIUrl":null,"url":null,"abstract":"Chapter 3 examines how Black authors have depicted the streets in their writing and challenged anti-Black narratives associated with urban space. This chapter provides an in-depth analysis Ann Petry’s The Street, James Baldwin’s The Fire Next Time, and Ta-Nehisi Coates’s Between the World and Me. Despite being spread across decades, these authors’ share narrative through lines about the streets.","PeriodicalId":170433,"journal":{"name":"How the Streets Were Made","volume":"93 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From The Street to the Streets\",\"authors\":\"Yelena Bailey\",\"doi\":\"10.5149/northcarolina/9781469660592.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 3 examines how Black authors have depicted the streets in their writing and challenged anti-Black narratives associated with urban space. This chapter provides an in-depth analysis Ann Petry’s The Street, James Baldwin’s The Fire Next Time, and Ta-Nehisi Coates’s Between the World and Me. Despite being spread across decades, these authors’ share narrative through lines about the streets.\",\"PeriodicalId\":170433,\"journal\":{\"name\":\"How the Streets Were Made\",\"volume\":\"93 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"How the Streets Were Made\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5149/northcarolina/9781469660592.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"How the Streets Were Made","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5149/northcarolina/9781469660592.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Chapter 3 examines how Black authors have depicted the streets in their writing and challenged anti-Black narratives associated with urban space. This chapter provides an in-depth analysis Ann Petry’s The Street, James Baldwin’s The Fire Next Time, and Ta-Nehisi Coates’s Between the World and Me. Despite being spread across decades, these authors’ share narrative through lines about the streets.
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