世界文学与现代性问题

Yong Gyu Kim
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摘要

本文旨在批判性地审视世界文学中的现代性问题,更具体地说,是弗雷德里克·詹姆逊、尼尔·拉撒路和尼古拉斯·布朗的世界文学理论中的现代性问题,他们提出了一种新的现代性概念,反对西方现代性。长期以来,世界文学一直被视为西方现代性思想和价值观的体现领域。这导致了非西方文学的负面标签,即不那么世俗和更多的地方文学,错误地模仿西方文学的现代性。因此,如何克服西方现代性,从根本上重新思考现代性的概念,这一现代性问题成为当今世界文学理论的核心问题之一,因为没有对现存的西方现代性概念的正确批判,就无法实现世界文学的进一步发展。詹姆逊关于单一现代性的观点以及拉撒路和布朗的世界文学理论的有趣之处在于,他们批判了西方的现代性概念,并提出了一种新的现代性概念,该概念关注资本主义的适当问题,而不是西方。此外,他们的理论追求对文学的现代性和普遍性的一种新的政治解读,克服了中心与边缘、西方与非西方的二分法。他们的世界文学理论对我们这些受到西方现代性强烈影响的人也有重要的启示。它让我们意识到,当我们深入探索自己的现代性和资本主义问题时,我们自己的文学也可以成为世界文学。它也提醒我们一个基本事实,即世界文学是一种能够在我们自己世界的现代性及其内部矛盾和裂缝中寻找政治可能性的文学。
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World Literature and the Problem of Modernity
This paper aims to critically examine the problem of modernity in world literature and, more specifically, in the theory of world literature by Frederic Jameson, Neil Lazarus, and Nicholas Brown, who have formulated a new concept of modernity against Western modernity. For a long time, world literature has been regarded as a field in which the ideas and values of Western modernity were embodied. This led to the negative labeling of non-Western literature as less worldly and more local literature that falsely imitates the modernity of Western literature. So the problem of modernity, such as how to overcome Western modernity and rethink the concept of modernity radically, has become one of the essential issues in the recent theories of world literature because we can not achieve the further development of world literature without properly criticizing the existing concept of Western modernity. What is interesting in Jameson’s idea of singular modernity and Lazarus and Brown’s theory of world literature is that they criticizes the Western conception for modernity and suggests the new concept of modernity that pays attention to the proper problems of capitalism rather than the West. Moreover, their theory pursues for a new political reading on the modernity and universality of literature, overcoming the dichotomy between central and peripheral, western and non-western. Their theory of world literature has also significant implications for us who have been strongly influenced by Western modernity. It makes us realize that our own literature can be world literature when we thoroughly explore our own modernity and the problems of capitalism. It also recalls us the basic fact that world literature is a literature that can search for political possibilities in the modernity of our own world and its internal contradictions and cracks.
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