阿末哈德·托哈里三部曲第一部《荣耕之乡》对地方文化的话语历史分析

Sri Sugiharti
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引用次数: 3

摘要

地方文化通常用来描述特定的、可识别的地方的日常生活体验。它反映了普通人对适当、舒适和正确的感觉——这些属性定义了个人偏好和不断变化的品味。爪哇人的社会文化,尤指爪哇岛的爪哇人通过三部曲的“荣耕Dukuh Paruk”。通过其话语策略,本文呈现了当时爪哇人的文化生活主要受印度教的影响。在经济方面,爪哇人一般在农场工作。同时,其文化状况也显示出爪哇社区生活的多元化。本研究的目的是考察爪哇地方文化在一部名为《融耕Dukuh Paruk》的古籍中的表现。在批评性话语分析(CDA)理论和方法的框架下,特别是在话语历史分析(DHA)的框架下,研究重点是观察DHA微观分析中的五种话语策略,包括提名策略、预测策略、论证策略、透视策略和缓解策略。讨论还强调了该时期爪哇人民的社会文化背景,以了解其对文本内容本身的影响。从而很好地实现了历史研究和语言学两门学科的融合。关键词:历史话语分析,地方文化,三部曲《荣耕·杜库·帕鲁克》
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A DISCOURSE HISTORICAL ANALYSIS ON LOCAL CULTURE IN THE FIRST BOOK TRILOGY “RONGGENG DUKUH PARUK” OF AHMAD TOHARI
Local culture is commonly used to characterize the experience of everyday life in specific, identifiable localities. It reflects ordinary people's feelings of appropriateness, comfort, and correctness—attributes that define personal preferences and changing tastes. The socio-cultural of Javanese especially in Jatilawang Banyumas. Through the trilogy of “Ronggeng Dukuh Paruk”. Through its discursive strategies, the text presents that the cultural life of Javanese people at that time is mostly influenced by Hinduism. In economic side, Javanese people generally work in farming field. Meanwhile, the cultural condition indicates the pluralistic life of Javanese community. The present research’s effort is to examine the representation of Javanese local culture in an old text entitled “Ronggeng Dukuh Paruk”. Framed generally by CDA (Critical Discourse Analysis) theory and method, and particularly DHA (Discourse Historical Approach), the examination is focused on observing the five discursive strategies in micro- analysis under DHA, which includes strategies of nomination, predication, argumentation, perspectivation, and mitigation. The discussion also highlights the socio-cultural background of Javanese people in that period to see its influence on the content of the text itself. Thus, the integration of two disciplinaries of historical study and linguistics is well-achieved.Keyword: historical discourse analysis, local culture, first book triogy “Ronggeng Dukuh Paruk”.
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