《Vesy》杂志作为俄罗斯象征主义成熟的标志

Valeriia Dmitrievna Riabchenko-Shats
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摘要

《Vesy》杂志已经成为俄罗斯象征主义自我认识道路上的一个极其重要的里程碑——它的页面捕捉到了这一文学和文化运动的主要原则和方法的最终设计。然而,尽管人们普遍认为,杂志页面上的文化话语并非同质和静态的。《Vesy》杂志标志着象征主义在艺术和公共生活中的重要现象得到加强,同时也成为讨论20世纪初正在酝酿的象征主义危机的平台,反映了这一趋势发展的完全不同阶段。本研究的主题是刊登在《Vesy》杂志上的新闻材料,作品的对象是所选材料所反映的象征主义思想的演变。在话语分析的帮助下,研究象征主义话语发展的最重要阶段成为可能,这也是本文的目的。对《Vesy》杂志的新闻材料分析表明,《Vesy》并没有停留在原来的意识形态和审美立场上:与传统观念相反,象征主义寻求自己的时代,在社会动荡时期,它的思想得到了发展。本文的研究结果有助于对象征主义新闻、《Vesy》杂志的理论认识,也有助于象征主义思想的演变。
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"Vesy" magazine as an indicator of the maturity of Russian Symbolism
“Vesy” magazine has become an extremely important milestone on the path of self–knowledge of Russian symbolism - its pages have captured the final design of the main principles and methods of this literary and cultural movement. However, the cultural discourse on the pages of the magazine, despite popular belief, was not homogeneous and static. Having marked the strengthening of symbolism as an important phenomenon in art and public life, “Vesy” magazine at the same time became a platform for discussions about the crisis of symbolism that was brewing at the beginning of the XX century, reflecting completely different stages of the development of this trend. The subject of this research is the journalistic materials published on the pages of “Vesy”, the object of the work was the evolution of the ideas of symbolism reflected in selected materials. With the help of discourse analysis, it became possible to study the most important stages of the development of symbolist discourse, which is the purpose of this work. The analysis of the journalistic materials of the magazine showed that “Vesy” failed to remain within its original ideological and aesthetic positions: contrary to traditional ideas, symbolism sought to live its own time, and during the period of social upheaval, its ideas were certainly developed. The results obtained can contribute to the theoretical knowledge about the symbolist journalism, “Vesy” magazine, as well as the evolution of the ideas of symbolism.
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