惊奇和挽歌

Gregory Chaplin
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引用次数: 1

摘要

马维尔作为一名挽歌作家的作品突显了他在回到英国后的十年间政治忠诚的转变。他的前两首挽歌——《弗朗西斯·维利尔斯勋爵之死的挽歌》(1648)和《黑斯廷斯勋爵之死》(1649)——将他置于第二次内战及其之后的保皇派文坛,而《已故护国公殿下之死的一首诗》(1658 - 169)则证明了他对保护国的服务以及与克伦威尔的个人关系。在他关于维利尔和黑斯廷斯的挽歌中,马维尔揭示了他后来在《贺拉斯颂》和《一周年纪念》中赋予克伦威尔的历史和时间代理的必要性。克伦威尔的死促使马维尔重新创作这些早期挽歌中的材料和比喻,以解释这个看似不朽的人物突然死亡的意义,并确保他以前的赞助人的声誉和政治遗产。
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Marvell and Elegy
Marvell’s work as an elegist foregrounds his shifting political allegiance during the decade after his return to England. His first two elegies—‘An Elegy Upon the Death of My Lord Francis Villiers’ (1648) and ‘Upon the Death of Lord Hastings’ (1649)—place him in royalist literary circles during the Second Civil War and its immediate aftermath, whereas ‘A Poem upon the Death of his Late Highness the Lord Protector’ (1658‒9) testifies to his service to the Protectorate and personal relationship with Cromwell. In his elegies on Villiers and Hastings, Marvell uncovers the need for the historical and temporal agency that he later assigns to Cromwell in ‘An Horatian Ode’ and ‘The First Anniversary’. The death of Cromwell prompts Marvell to rework material and tropes from these earlier elegies to make sense of this seemingly immortal figure’s sudden mortality and to secure his former patron’s reputation and political legacy.
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‘Upon Appleton House’ Marvell and Lyrics of Undifference Marvell and His Adversaries, 1672–1678 Marvell and Waller Marvell and Elegy
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