加密时代的产权:nft和限量版艺术品的拍卖

Peyman Khezr, Vijay Mohan
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引用次数: 7

摘要

区块链上的不可替代代币(nft)最近成为证明数字资产(如艺术品)原创性的一种手段。在本文中,我们研究了使用nft销售数字艺术品的限量版拍卖。我们研究了实践中使用的两种类型的限量版拍卖:“沉默”和“排名”拍卖。我们认为,目前在NFT市场中使用的无声限量拍卖是众所周知的歧视性价格拍卖的一种变体。我们推导了该拍卖的贝叶斯纳什均衡,并证明其收益等同于VCG拍卖。我们的分析表明,无声限量拍卖中的竞价行为比没有版本的标准歧视性价格拍卖更具侵略性;因此,前者的均衡出价更高。我们还研究了广义英语拍卖作为结果等效拍卖的排名限量版拍卖,并表明这并不具有真实的均衡。最后,我们研究了统一价格拍卖作为进行有编辑拍卖的潜在替代机制,并在这种情况下建立了真实均衡的缺失。我们的论文代表了在数字环境中使用拍卖对产权分配进行正式建模的首次尝试之一,这是当前创新的前沿。
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Property rights in the Crypto age: NFTs and the auctioning of limited edition artwork
Non-fungible tokens (NFTs) on blockchains have recently emerged as a means of certifying the originality of digital properties, such as artwork. In this paper, we examine limited-edition auctions for the sale of digital artwork using NFTs. We study two types of limited-edition auctions that have been used in practice: the `silent' and `ranked' auctions. We argue that the silent limited-edition auction as currently used in NFT markets is a variant of the well-known discriminatory price auction. We derive the Bayesian Nash equilibrium of this auction, and show that it is revenue equivalent to a VCG auction. Our analysis suggests that bidding behavior in a silent limited-edition auction is more aggressive than a standard discriminatory price auction without editioning; consequently, equilibrium bids are higher in the former. We also study the generalized English auction as an outcome equivalent auction to the ranked limited-edition auction, and show that this does not have a truthful equilibrium. Finally, we examine the uniform-price auction as a potential alternative mechanism for conducting an auction with editioning, and establish the absence of a truthful equilibrium in this instance as well. Our paper represents one of the first attempts to formally model the allocation of property rights using auctions in the digital environment, which is at the forefront of current innovation.
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