是艺术还是知识?解构澳大利亚土著创意制作

E. Cameron
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引用次数: 11

摘要

澳大利亚土著符号是知识的视觉形式,表达文化智慧。被西方对“艺术”的解释分类,贬低了几千年来代代相传的知识体系,在这个体系中,视觉信息一直受到尊重、欣赏和重视。这篇文章强调了土著人的创造力几乎没有美学价值的概念,而是一种与创造时期有关的文化展示,通常被称为“梦想”。澳大利亚有350多个不同的土著民族,本文的重点是位于新南威尔士州悉尼北部地区的Dharug民族。创造时期的Dharug术语是gunyalungalung -传统的仪式化的习惯爱情(法律)。这些符号永久地位于开放的岩石表面、洞穴和树上的标记上。虽然有些符号是人造的,但其他符号是由创造祖先创造的,并且包含了神圣性信息的深层故事线。因此,在岩石表面雕刻或绘制的创造性图像是强调深刻洞察力的有意识叙事形式。
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Is It Art or Knowledge? Deconstructing Australian Aboriginal Creative Making
Australian Aboriginal symbols are visual forms of knowledge that express cultural intellect. Being classified by a Western interpretation of “art” devalues thousands of years of generational knowledge systems, where visual information has been respected, appreciated and valued. This article highlights how Aboriginal creativity has little concept of aesthetical value, but is a cultural display of meaning relating to Creational periods, often labelled as The Dreamings. With over 350 different Aboriginal Nations in Australia, this article focuses of the Dharug Nation, located around the northern Sydney area of New South Wales. The Dharug term for the Creational period is Gunyalungalung—traditional ritualized customary lores (laws). These symbols are permanently located within the environment on open rock surfaces, caves and markings on trees. Whilst some symbols are manmade, others are made by Creational ancestral beings and contain deep story lines of information in sacredness. Therefore, creative imagery engraved or painted on rock surfaces are forms of conscious narratives that emphasise deep insight.
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