{"title":"美国动作画家","authors":"Harold Rosenberg","doi":"10.12987/9780300185720-026","DOIUrl":null,"url":null,"abstract":"What makes any definition of a movement in art dubious is that it never fits the deepest artists in the movement—certainly not as well as, if successful, it does the others. Yet without the definition something essential in those best is bound to be missed. The attempt to define is like a game in which you cannot possibly reach the goal from the starting point but can only close in on it by picking up each time from where the last play landed.","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"402 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"70","resultStr":"{\"title\":\"The American Action Painters\",\"authors\":\"Harold Rosenberg\",\"doi\":\"10.12987/9780300185720-026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What makes any definition of a movement in art dubious is that it never fits the deepest artists in the movement—certainly not as well as, if successful, it does the others. Yet without the definition something essential in those best is bound to be missed. The attempt to define is like a game in which you cannot possibly reach the goal from the starting point but can only close in on it by picking up each time from where the last play landed.\",\"PeriodicalId\":164647,\"journal\":{\"name\":\"Reading Abstract Expressionism\",\"volume\":\"402 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"70\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Reading Abstract Expressionism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12987/9780300185720-026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reading Abstract Expressionism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12987/9780300185720-026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
What makes any definition of a movement in art dubious is that it never fits the deepest artists in the movement—certainly not as well as, if successful, it does the others. Yet without the definition something essential in those best is bound to be missed. The attempt to define is like a game in which you cannot possibly reach the goal from the starting point but can only close in on it by picking up each time from where the last play landed.