安德里亚·蒙托亚的诗歌:神秘的圣人

Stephanie Fetta
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摘要

摘要:本文认为著名的奇卡诺诗人蒙托亚(1968-1999)是一位神秘主义诗人。在抒情方面,与阿西西的圣弗朗西斯、阿维拉的圣特蕾莎、鲁米和梅斯特·埃克哈特不相上下,蒙托亚的神秘诗意表达是通过智能、交流的身体(躯体)发展和描绘的;同样的实体同时表达了社会链条的重量,他的诗歌演讲者和他的社区被安置在其中。我认为蒙托亚的诗歌主题是一个公共的soma,具有神圣索菲亚的力量和玛雅人的In Lak 'ech原则。蒙托亚体现了一种非殖民化的诗歌主体性,一种受墨西哥解放神学启发的集体精神上进者。我认为蒙托亚的《冰工之歌》和其他诗歌是墨西哥裔美国人的精神之旅,是墨西哥裔美国人集体进化与上帝的神秘交流。
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The Poetry of Andrés Montoya: Mystic Homo Sacer
Abstract:I argue that the renowned Chicano poet Andrés Montoya (1968–1999) is a mystic poet. Lyrically on par with Saint Francis of Assisi, Saint Teresa of Avila, Rumi, and Meister Eckhart, Montoya’s mystic poetic expression develops and is portrayed via the intelligent, communicative body (the soma); the same entity that simultaneously expresses the weight of social chains in which his poetic speaker and his community are ensconced. I argue that Montoya’s poetic subject is a communal soma, biblical with the force of Divine Sophia and the Mayan principle of In Lak’ech. Montoya crystallizes a decolonizing poetic subjectivity of a collective spiritual aspirant inspired by Chicanx liberation theology. I argue that Montoya’s collection the ice worker sings and other poems is a spiritual journey of the soma, of a collective Chicano homo sacer evolving his mystic communion with God.
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Forehead The Poetry of Andrés Montoya: Mystic Homo Sacer Oración the earth dreams us dead end mouth
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