{"title":"声学噪音:《暴风雨》“新世界”声景中的种族化与抵抗","authors":"Mayra Cortes","doi":"10.12745/et.25.1.4484","DOIUrl":null,"url":null,"abstract":"Abstract:I analyze Shakespeare's racialization of noise in The Tempest as an acousmatic phenomenon and suggest how the acousmatic—sound whose source remains hidden—is imagined as a weapon of resistance that the racialized noisome Other could use to resist aristocratic and colonial power. Shakespeare's play echoes the Algonquian-speaking Powhatan use of acousmatic singing in Tsenacommacah as a mode of warfare against the English in Virginia in 1611 with that of Caliban and his companions' (Stephano and Trinculo) singing revolt.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"25 5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Acousmatic Noise: Racialization and Resistance in The Tempest's 'New World' Soundscape\",\"authors\":\"Mayra Cortes\",\"doi\":\"10.12745/et.25.1.4484\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:I analyze Shakespeare's racialization of noise in The Tempest as an acousmatic phenomenon and suggest how the acousmatic—sound whose source remains hidden—is imagined as a weapon of resistance that the racialized noisome Other could use to resist aristocratic and colonial power. Shakespeare's play echoes the Algonquian-speaking Powhatan use of acousmatic singing in Tsenacommacah as a mode of warfare against the English in Virginia in 1611 with that of Caliban and his companions' (Stephano and Trinculo) singing revolt.\",\"PeriodicalId\":422756,\"journal\":{\"name\":\"Early Theatre: A Journal associated with the Records of Early English Drama\",\"volume\":\"25 5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Theatre: A Journal associated with the Records of Early English Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12745/et.25.1.4484\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Theatre: A Journal associated with the Records of Early English Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12745/et.25.1.4484","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Acousmatic Noise: Racialization and Resistance in The Tempest's 'New World' Soundscape
Abstract:I analyze Shakespeare's racialization of noise in The Tempest as an acousmatic phenomenon and suggest how the acousmatic—sound whose source remains hidden—is imagined as a weapon of resistance that the racialized noisome Other could use to resist aristocratic and colonial power. Shakespeare's play echoes the Algonquian-speaking Powhatan use of acousmatic singing in Tsenacommacah as a mode of warfare against the English in Virginia in 1611 with that of Caliban and his companions' (Stephano and Trinculo) singing revolt.
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