大众文化背景下电影中的多元文化主义

Eda Arisoy
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引用次数: 1

摘要

呈现观众想要和期待的东西已经把电影变成了一个大众消费产业,蔓延到一个普遍的空间。电影不仅仅是为了取悦大众,而是已经转变为一种多元文化的商业,它承载着不同的知识意义,被称为叙事或导演电影。作为一名导演,费尔赞Özpetek作为一名导演,在文化财富的名义上有着非常独特的地位。他的电影在大众文化产品和叙事、精神电影产品之间划出了一条细细的界限,这被认为是将导演概念与其他电影类型区分开来的最重要的特征,因为他关注的是两国的文化。如果电影业回归到商业和叙事类型的区分,电影应该通过展示自己的文化遗产来创造观众,而不是向大众展示相同的文化。它是滋养文化多样性的因素。
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Multiculturalism in Cinema in the Context of Popular Culture
The presentation of what the viewer wants and expects has turned cinema into a mass consumer industry, spreading into a universal space. Cinema is not merely to please the masses, but has been transformed into a multicultural business that carries a different intellectual meaning which is named as narrative or auteur cinema. As an auteur director, Ferzan Özpetek stands in highly unique place in the name of cultural wealth as a director. His cinema draws up in the thin line between being a popular cultural product and being a narrative, spiritual cinema product, and is considered as the most important feature that differentiates the concept of auteur from other cinema genres by focusing on the cultures of both countries. If the cinema industry returns to a differentiation between commercial and narrative types, film should create its audience by presenting its own cultural heritage, rather than exposing the same culture to the masses. It is the factor that nourishes the cultural variety.
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