泛音和组合波段的复杂世界的简单指南:近红外光谱的理论模拟和解释- NIR-2021北京会议研讨会总结

NIR News Pub Date : 2021-11-25 DOI:10.1177/09603360211060966
K. Beć
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引用次数: 1

摘要

2021年10月18日至21日,第20届近红外光谱国际会议在北京举行。尽管这次是以虚拟形式举行的,但这是一次非常成功的研讨会,引起了广大观众的高度兴趣——许多精彩的演讲证明了这一点,围绕这些演讲展开了许多生动的讨论。会议期间举办了四个研讨会,重点讨论了近红外光谱及其应用的几个关键领域。Heinz Siesler、Hui Yan、Dolores Pérez-Marín和Tom Fearn教授提供了精彩的研讨会,与与会者分享了宝贵的知识。在这些著名的专家中,我有幸为近红外光谱的物理化学基础研讨会做出了贡献,这是一个很少在教科书中详尽介绍的领域。研讨会旨在揭示泛音和组合波段的复杂世界,与会者对此非常感兴趣。由于在专门的问答环节以及通过其他渠道和私人信函提出了许多问题,我想以这篇简短的文章的形式对研讨会进行简短的概述。一些最重要的“带回家的信息”,如泛音频带的强度变化的起源和著名的“选择规则”的谐振子,除其他外,将简要概述在这里。
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A Simple guide to complex world of overtone and combination bands: Theoretical simulation and interpretation of NIR spectra – summary of the workshop at NIR-2021 Beijing Conference
Between 18 and 21 October 2021, the 20th International Conference on NIR spectroscopy in Beijing took place. Despite this time being held as a virtual event, it was a highly successful symposium met with high interest from the wide audience – as evidenced by many excellent presentations, around which numerous vivid discussions developed. During the conference, four workshops were offered, focused at discussing few areas essential for NIR spectroscopy and its applications. Excellent workshops were provided by Professors Heinz Siesler, Hui Yan, Dolores Pérez-Marín and Tom Fearn, in which invaluable knowledge was shared with the participants of the conference. Among these renowned experts, I had the honour to offer my contribution with the workshop aimed at the physicochemical foundations of NIR spectroscopy, an area that seldom is exhaustively presented in the textbooks. The workshop aimed at shedding light on the complex world of overtone and combination bands and was met with a considerable interest from the participants. As many questions have been asked both during the dedicated Q&A session, as well as through other channels and private correspondence, I would like to provide a short recapitulation of the workshop in the form of this brief article. Some of the most essential ‘take home messages’, such as the origin of the intensity variation of the overtone bands and the famous ‘selection rule’ of the harmonic oscillator, among others will be briefly outlined here.
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