Postdigital架构。现在该做什么? !

M. Colletti
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摘要

“后数字”这个词是二十多年前由声音艺术家Kim Cascone创造的,作为一种思考超越电子音乐数字革命的时代美学的方式,然后被用于艺术,媒体和建筑。在建筑中,这个术语被用来促进反数字的“降级”美学议程:作为后(减)数字。然而,如果理解为后(加)数字-简而言之:后数字-这个表达似乎表明数字的演变超越了它的第一次实现,作为传统模拟设计和制造技术的数字或虚拟替代品。可以识别哪些后数字特征和特征?它们如何在建筑设计中实现?为什么这很重要?
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Postdigital Architecture. What Now?!
The hyphenated term ‘post-digital’ was coined over twenty years ago by sonic artist Kim Cascone as a means of thinking about the aesthetics of the time beyond the digital revolution in electronic music, and then adopted in the arts, media, and architecture. In architecture, the term has been adopted to promote an anti-digital ‘downgrading’ aesthetic agenda: as post(minus)digital. However, if understood as post(plus)digital – in short: postdigital – the expression appears to be indicative of an evolution of the digital beyond its first implementation as numerical or virtual alternative to traditional analogue design and making techniques. What postdigital traits and characteristics can be identified? How can they be implemented in architectural design? Why does it matter?
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