Paweł Batory
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摘要

ryzard Ryba是活跃于20世纪下半叶的波兰雕塑家。他主要是神圣艺术的创造者,他的作品可以在Podkarpacie和小波兰地区(现在的Przemyśl, Rzeszów, Tarnów和桑多米日教区)的教堂中找到。除了雕刻之外,他还参与设计神圣的内部和装饰元素(圣棚、礼拜堂、长椅、忏悔室等),参与制定教堂内部的原则,以适应梵蒂冈第二次大公会议后改革礼仪的条件。他也是图形和绘画系列的作者,这些作品是他在21世纪头二十年创作的。他的雕塑,尤其是那些从他创作之初就开始的雕塑,其特点是非常简单。他们的影响是由于他们强大的,合成的形式,作为一个富有表现力的标志。随着时间的推移,他伟大的叙事才能越来越清晰地显露出来,营造出独特的温柔和柔情的品质脱颖而出。他也越来越愿意接触与家庭和日常生活有关的话题。然而,他的艺术作品构成了一个连贯的整体,仍然令人印象深刻。
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In memory of Ryszard Ryba (1935–2022)
Ryszard Ryba is a Polish sculptor active in the second half of the 20 th century. He was primarily a creator of sacred art, and his works can be found in the churches of the Podkarpacie and Lesser Poland regions (the present dioceses of Przemyśl, Rzeszów, Tarnów and Sandomierz). In addition to sculpting, he was involved in designing sacred interiors and elements of their decor (tabernacles, sedilia, pews, confessionals, etc.), participating in the development of principles for adapting church interiors to the conditions of the reformed liturgy after the Second Vatican Council. He is also the author of graphic and drawing series, which he created especially in the first twenty years of the 21 st century. His sculptures, especially those from the beginning of his creative path, are characterised by great simplicity. Their impact is due to their powerful, synthetic form, acting as an expressive sign. With time, his great narrative talent became revealed more and more clearly, and the qualities that built the mood of unique softness and tenderness came to the fore. He was also increasingly willing to reach for topics related to family and everyday life. His artistic oeuvre, however, constitutes a coherent whole which is still intensely impressive.
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Współczesne teorie piękna i decorum. Wybór poglądów XX wieku The mural paintings of Modest Sosenko. Characteristics of the style based on representative examples. In memory of Ryszard Ryba (1935–2022) Wprowadzenie Kolory Ofiary – akwarelowe malarstwo pasyjne Danyły Mowczana
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