《不可言说及其形而上学:艺术、宗教和哲学中的不可言说》,西尔维娅·乔纳斯著

Robert Clarke
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引用次数: 2

摘要

艺术、宗教或哲学能提供不可言喻的洞见吗?如果有,它们是什么?不可言说的概念一直困扰着从老子到维特根斯坦的哲学家。在《不可言说及其形而上学:艺术、宗教和哲学中的不可言说》一书中,西尔维娅·乔纳斯考察了关于不可言说的见解可能涉及形而上学的不同思考方式,并展示了其中哪些实际上是不连贯的。乔纳斯讨论了不可言说的属性和对象、不可言说的命题、不可言说的内容和不可言说的知识等概念,并研究了这些概念所涉及的形而上学陷阱。最后,她捍卫了这样一种观点,即在美学、宗教和哲学语境中发现的不可言喻的见解,最好是通过自我认识来理解的,这是一种特殊的非命题知识。不可言说作为一个哲学话题与哲学史本身一样古老,但对不可言说的探索的贡献却很少。乔纳斯发展的理论使这一概念在许多不同的哲学语境中具体化和可用。
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Ineffability and its Metaphysics: The Unspeakable in Art, Religion, and Philosophy, written by Silvia Jonas
Can art, religion, or philosophy afford ineffable insights? If so, what are they? The idea of ineffability has puzzled philosophers from Laozi to Wittgenstein. In Ineffability and its Metaphysics: The Unspeakable in Art, Religion and Philosophy, Silvia Jonas examines different ways of thinking about what ineffable insights might involve metaphysically, and shows which of these are in fact incoherent. Jonas discusses the concepts of ineffable properties and objects, ineffable propositions, ineffable content, and ineffable knowledge, examining the metaphysical pitfalls involved in these concepts. Ultimately, she defends the idea that ineffable insights as found in aesthetic, religious, and philosophical contexts are best understood in terms of self-acquaintance, a particular kind of nonpropositional knowledge. Ineffability as a philosophical topic is as old as the history of philosophy itself, but contributions to the exploration of ineffability have been sparse. The theory developed by Jonas makes the concept tangible and usable in many different philosophical contexts.
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