当代塞内加尔的性感女性:Nafissatou Dia Diouf和Kalista Sy的包罗万象的发型

Molly Krueger Enz
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摘要

在《非洲乌托邦》一书中,塞内加尔学者和作家Felwine Sarr认为,非洲是时候“对自己、自己在世界上的现实和处境进行批判性反思:思考自己、代表自己、投射自己”,以便“为非洲社会的积极转变做出贡献”。当代塞内加尔作家Nafissatou Dia Diouf和Kalista Sy在作品中致力于非洲的变革愿景,关注塞内加尔女性的观点和欲望。迪乌夫和塞通过文学和电视剧本的类型,处理了一些重要的、有时是敏感的问题,这些问题通常不会在书本或银幕上被描绘出来,并反对男权主义对女性的看法。通过提升女性的声音和经历,这两个重要的文化生产者激发了对性别、性、欲望、快乐和赋权观念的批判性反思,从而促进了一个更加包容的社会和非洲人。
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Desiring women in contemporary Senegal: Nafissatou Dia Diouf and Kalista Sy’s inclusive afrotopos
Abstract In Afrotopia, Senegalese scholar and writer Felwine Sarr argues that it is time for Africa to undertake “the efforts of critical reflection in regard to oneself, one’s own realities and situation in the world: to think oneself, to represent oneself, to project oneself” in order to “contribute to the positive transformation of African societies.” Contemporary Senegalese writers Nafissatou Dia Diouf and Kalista Sy are committed to transformative visions of Africa in their work which focuses on the perspectives and desires of Senegalese women. Through the genres of literature and television screenplays, Diouf and Sy tackle important, sometimes sensitive, issues that are not often portrayed on the page or the screen and that push back against patriarchal views of women. By elevating women’s voices and experiences, these two important cultural producers stimulate critical reflection on perceptions of gender, sexuality, desire, pleasure, and empowerment to promote a more inclusive society and afrotopos.
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