去学校化的艺术与设计:ilich Redux

Tom Hardy
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引用次数: 1

摘要

本文以Ivan Illich的开创性作品《去学校化的社会》和《快乐的工具》为试金石,进一步探讨了我在iJADE 25.3(2006)上的文章“领域中毒:通过艺术评估的当前模型的冗余”,这可能被认为是一个更激进的补充。伊里奇关于“去学校化”工作的核心内容是对非人性化趋势的控诉,以及制度化所导致的反生产力。本文认为,现在是时候重新审视伊里奇关于去学校化的呼吁,特别是关于艺术和设计的教学,反过来,看看21世纪艺术教师作为鉴赏家/评论家/动画师的结构,远离基于领域的评估世界。正如我在本书内外多次提到的那样,问责制使教师厌恶风险。简而言之,这篇文章表明,现在是我们承担结构性风险的时候了,在呼吁完全放松对艺术和设计教育的管制,并恢复艺术教师作为自主的“变革代理人”的地位的同时,消除这种对抱负的玻璃天花板。
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De-Schooling Art and Design: Illich Redux
Using Ivan Illich's seminal works, Deschooling Society and Tools for Conviviality as touchstones, this paper returns to further pursue the thrust of my article in iJADE 25.3 (2006), ‘Domain poisoning: the redundancy of current models of assessment through art’, and might be considered as a more radical addendum. The central strand of Illich's work on ‘deschooling’ is an indictment of the trend to dehumanisation and the counterproductivity which results from institutionalisation. This paper argues that it is time to revisit Illich's call for deschooling with particular reference to the teaching of art and design, and, in turn, to look at the construct of the art teacher for the twenty-first century as connoisseur/critic/animateur, aloof from the world of domain-based assessment. As has been suggested many times before within these pages and beyond, accountability makes teachers risk averse. In short, this article suggests that it is time that we took a structural risk and removed this glass ceiling to aspiration while calling for complete deregulation of art and design education and the reinstatement of the art teacher as an autonomous ‘agent of change’.
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