P. Ariyanto, Meida N Afina, Abdul Ghoni, Amanda Khusna
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引用次数: 1
摘要
从数量上看,女性很少出现在政治广告中。与此相一致的是,关于女性形象在政治广告中的塑造的研究很少。本研究旨在透过罗兰·巴特的符号学研究,了解政治广告“Kepak Sayap Kebhinekaan”中女性(Puan Maharani)的形象。本研究采用符号学分析的定性方法。在政治广告“Kepak Sayap Kebhinekaan”中,妇女,在这个例子中是Puan Maharani,被描绘成拥有政治领导人的权力。此外,女性被描绘成民族主义者、革命者、保护者、多样性守护者的领导者,值得尊重。在普安·马哈拉尼的政治广告中,红色和kebaya作为一个标志也有负面的含义,即打开了带有共产主义耻辱和缺乏伊斯兰教的女性领导人的视角。Â关键词:政治广告;表示;WomanA
CITRA PEREMPUAN DALAM IKLAN POLITIK PUAN "KEPAK SAYAP KEBHINEKAAN"
In terms of quantity, women are rarely represented in political advertisements. In line with that, studies on how female figures are imaged in political advertisements are minimal. This study aims to provide an understanding of how women (Puan Maharani) are imaged in the political advertisement "Kepak Sayap Kebhinekaan" through the point of view of Roland Barthes' semiotic study. This study uses a qualitative approach by utilizing semiotic analysis. In the political advertisement "Kepak Sayap Kebhinekaan", women, in this case, Puan Maharani, are portrayed as having power as political leaders. In addition, women are portrayed as leaders who are nationalists, revolutionaries, protectors, guardians of diversity and deserve respect. The red color and the kebaya as a sign in Puan Maharani's political advertisement also have a negative connotation, namely opening up the perspective of female leaders with a communist stigma and lack of Islam.
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Keywords: Political Advertisement; Representation; Woman
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