电影中潜在人类学相关数据分类的参数——基于Deepa Mehta的虚构电影《水》和Leslee Udwin的纪录片《印度的女儿》的研究

D. S. Bhandari, Deler Singh
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引用次数: 0

摘要

在课堂上使用虚构的电影和纪录片来教授人类学的概念,越来越受到教师和学生的欢迎。它帮助学生更紧密地理解和体验各种概念,并帮助他们将屏幕上显示的问题联系起来。然而,电影和纪录片的选择带来了问题。比起虚构电影,纪录片似乎是一个自然而容易的选择,因为纪录片应该以客观和事实的方式对待真实事件。但与此同时,一些虚构电影也以这样一种方式包含了关于一个社区的文化和制度的信息,以至于它对学生和老师来说都是一个同样重要的选择。本文着眼于迪帕·梅塔的小说电影《水》和纪录片;电影《印度的女儿》(Leslee Udwin)在人类学上的重要性,以及它们作为课堂教学原始人类学数据的资格。它通过突出作品中呈现的可证实的事实,以及这些作品在电影人对现实的演绎方面所面临的反对和抵制来做到这一点。它试图让人们明白,我们不能仅仅因为一部小说/商业电影所属的类型,就草率地将其视为与人类学无关的电影。同时,它试图指出这样一个事实,即纪录片有时可能与人类学无关。标记电影作为人类学相关的标准应该是对电影中突出的主题的公平和客观的处理。
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Parameters in Classification of Potential Anthropologically Relevant Data in Films: A Study Based on Fiction Film Water by Deepa Mehta and Documentary Film India's Daughter by Leslee Udwin.
Use of fiction films and documentaries in the classrooms for teaching concepts of anthropology is gaining popularity with teachers and students equally. It helps students understand and experience various concepts more closely and helps them relate with the issue shown on the screen. The choice of films and documentaries for the purpose however poses problems. A documentary seems to be a natural and easy choice over a fiction film for the purpose as a documentary is supposed to be treating the real events in an objective and matter of fact way. But at the same time, some fiction films also contain the information about the culture and system of a communi h) in such a way that it comes out to be an equally important choice for the students as well as teachers. The paper looks at fiction film Water by Deepa Mehta and documentan; film India's Daughter by Leslee Udwin in terms of their significance for anthropological importance and their eligibility as raw anthropological data for classroom teaching. It does so by highlighting the verifiable facts presented in the works and the objections and resistance these works faced in terms of the filmmakers' rendition of the reality. It tries to bring home the point that we cannot summarily dismiss a fiction/commercial film as being anthropologically irrelevant just because of the genre that it belongs to. At the same time it tries to point out the fact that at times, a documentary film may not be relevant anthropologically. The criteria for tagging of a film as anthropologically relevant should be the fair and objective treatment of the subject highlighted in the film.
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