感官场所:唆麻科技混合现实参与式行为装置/环境

Isabel Valverde, T. Cochrane
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引用次数: 1

摘要

我们展示了艺术技术研究项目Senses Places的最新进展,这是一个躯体技术(soma-tech)混合现实的参与式表演装置/环境,参与了物理-虚拟互动的扩展模式。这种持续的身体技术舞蹈/表演合作跨学科的方法聚集了艺术家和开发人员,远程和物理地在模拟-数字中间媒体界面和他们扩展的体验设计和编舞中工作。通过人机交互将参与者、虚拟形象、图像和物理虚拟环境联系起来,寻求感官上的扩展和整合。它们构成了视觉、听觉、触觉和躯体/动觉共享调谐/参与/体验的不同有机-人工感官表达渠道。这种长期干预的核心是对物理和远程主体和场所之间更具包容性和移情体现的互动的共同强烈愿望。通过跨文化的身体和舞蹈实践,Senses place对不同的信息、通信和生物医学技术进行了批判性的实验,希望通过我们一直认为的在后人类条件下的后人类形体[1]和新兴的躯体认识论[2]来理解世界和人类的发展。
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Senses Places: soma-tech mixed-reality participatory performance installation/environment
We present the latest developments of the art-tech research project Senses Places, a somatic-technological (soma-tech) mixed-reality participatory performance installation/environment, engaging expanded modes of embodied physical-virtual interaction. This ongoing somatic-technological dance/performance collaborative trans-disciplinary approach gathers artists and developer researchers, working remotely and physically in analogical-digital intermedia interfaces and their expanded experience design and choreography. The sensorial expansion and integration sought through human-computer interaction links participants, avatars, images and physical-virtual environments. They constitute different organic-artificial sensorial-expressive channels of visual, audio, tactile, and somatic/kinesthetic shared tuning/engagement/experience. At the core of this long-term intervention lies the common urging desire for more encompassing and empathic embodied interactivity among physical and remote subjects and places. With a cross-cultural somatic and dance practices, Senses Places critically experiments with different informational, communicational and biomedical technologies available, wishing to contribute to understand the world's and humans becoming through what we have been conceiving as posthuman corporealities [1] within a posthuman condition and emerging somatic epistemology [2].
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