在Giallo的标志下

Blood and Black Lace Pub Date : 2020-01-31 DOI:10.2307/j.ctv13842cg.5

R. Curti

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摘要

本章探讨了德国参与电影《血与黑丝带》的意义。它讨论了意大利如何在1962年与西德签署了一项合作制作协议，从而开始了从哥特式时代到现代惊悚片的过渡。这也解释了意大利电影制片人想要加入德国所谓的“克里米斯”的成功路线的意图。克里米斯是由埃德加·华莱士的作品启发，由Preben Philipsen的Rialto电影公司于1959年制作的谋杀悬疑片。这一章的重点是意大利独特而明确的神秘传统。它描述了一种被称为“giallo”的类型，这种类型自1929年以来一直非常流行，当时意大利出版社蒙达多利(Mondadori)推出了一种名为“黄书”(I Libri Gialli)的新社论系列。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Under the Sign of the Giallo

This chapter explores the significance of German participation in the film Blood and Black Lace. It discusses how Italy had signed a co-production agreement with West Germany in 1962 that started the passage from period Gothic to a thriller set in the present day. It also explains the Italian film makers' intention of joining the successful thread of the German so-called “krimis,” the murder mysteries inspired by the works of Edgar Wallace and produced by Preben Philipsen's Rialto film company in 1959. The chapter focuses on the distinct and well-defined tradition of mystery in Italy. It describes the genre known as “giallo,” which had been very popular since 1929 when the Italian publishing house, Mondadori launched a new editorial series called the Yellow Books (I Libri Gialli).

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